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Digital Marilyn, an interactive AI avatar of Marilyn Monroe, recently unveils at SXSW 

Digital Marilyn Monroe was created using GPT-3.5 by Soul Machines and Authentic Brands Group

 

Bruce Haring / Deadline:

 

 

—  One of Marilyn Monroe’s most famous quotes was, “I don’t mind living in a man’s world as long as I can be a woman in it.”

 

— Soul Machines Unveil Groundbreaking Digital Marilyn Monroe at SXSW 2024Soul Machines        

Now, there has to be an amendment to that line. More than 60 years after her death, there’s now a Digital Marilyn, created with artificial intelligence and capable of answering questions in her voice and style. The new version of Monroe debuted Friday at the South by Southwest tech conference in Austin, Texas.

 

The Digital Marilyn is a partnership between Soul Machines, which creates what it calls Biological AI-powered Digital People, and Authentic Brands Group, a company representing such icons as Monroe, Elvis Presley, Muhammad Ali, Shaquille O’Neal, David Beckham, and many other celebrities and companies.

 

The Digital Marilyn can interact in real-time using advanced natural language processing, deep learning, and Open AI’s ChatGPT 3.5. What that means is another step forward in extending the ability to monetize celebrities even after their death.

 

“This collaboration exemplifies the transformative power of AI in connecting brands and consumers,” said Greg Cross, CEO and co-founder of Soul Machines. “Digital Marilyn showcases our Biological AI, bringing an iconic personality to life through engaging dialogues and emotional intelligence. It’s more than nostalgia. It’s a glimpse into the future of immersive interactions.”

 

The Digital Marilyn mimics human traits in a realistic fashion, and can interact with users on a personal level. The partnership claims the average conversation length with a Soul Machines Digital Person is 20 minutes, with the character allegedly adapting to your questions and interests.

 

“Marilyn Monroe remains a timeless icon, inspiring generations with her talent, charisma, and enduring legacy,” said Dana Carpenter, EVP Entertainment at Authentic Brands Group.

 

“We are thrilled to partner with Soul Machines, whose cutting-edge technology is the perfect match to bring Marilyn to life in the AI age. While Marilyn Monroe can never be replaced or duplicated, Digital Marilyn opens exciting possibilities for multiple generations of fans to engage with her in a whole new way, fostering a deeper connection and appreciation for her enduring spirit and the mark she left on the world.”

 

 

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— Techmeme

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Mercer County Exec-elect Dan Benson Transition Team introduces the 17 transition committees

MERCER COUNTY, N.J. — Following his recent election as Mercer County Executive, on Feb. 22 the Benson Transition Team released a 49-page report that contains recommendations from their 17 transition committees.

“Building a better future demands bold action. With the Transition Team’s unique insights, we have developed a bold and comprehensive set of goals for our administration. I look forward to turning this vision into action,” said County Executive Dan Benson.

“This was a thorough process of coordinating efforts across 17 teams and assessing hundreds of detailed and thoughtful recommendations,” said Transition Co-Chair Sharon Shinkle Gardner.

“We’re so proud of the hard work and passion that our members brought to their transition committees — it is reflected in the quality of the report,” Transition Co-Chair Jeannine Frisby LaRue said.

The Transition Team was tasked by County Executive Dan Benson with evaluating the wide range of responsibilities of Mercer County government and offering recommendations for the new administration. It was made up of a diverse group of more than 100 Mercer County residents. Each committee brought together voices from across the county to help explore a key piece of government and provide their perspectives on how to move Mercer forward.

County Executive Benson continued, “I am grateful to have a Transition Team that is so dedicated to our community and our shared values. We have already begun to implement a number of our report’s suggestions and are excited for the road map it provides for our first term.”

The full transition report can be found at BensonTransition.com.

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2 Programs in Mercer County to host bike drive to benefit Boys & Girls Club Bike Exchange

The Mercer County Planning Department and the Mercer County Park Commission are hosting a bike drive for the benefit of the Boys & Girls Club Bike Exchange on Saturday, April 13 from noon to 4 p.m.

This non-profit run by 50 volunteers collects, conditions, and sells used, quality bikes to people in the Trenton area. Do you have a bike that you no longer use? Maybe you have one your child has outgrown? Consider donating it for this cause.

Since 2009 the Bike Exchange has repaired, reconditioned, and sold over 27,000 donated bikes, raising more than $1,600,000 for Boys & Girls Club after-school programs which serve over 700 children daily. Over the past several years the Bike Exchange has given away approximately 300 bikes annually to youth in Trenton and urban areas throughout New Jersey.

The Bike Exchange also trains interested students in bike repair through their internship program.

Your bike donation will help support these efforts. Please drop off your bike at either the West Windsor or Pennington location and know that your tax-deductible donation will benefit our community.

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Taylor Swift asks fans to vote on Super Tuesday — does not endorse Joe Biden this time

Just before Instagram went down, Taylor Swift took to her Stories to encourage her 282 million followers to get out and exercise their right to vote on Super Tuesday.

 

In a post, the pop star implored eligible voters to head to the polls to support candidates that best align with their interests.

 

“Today, March 5, is the Presidential Primary in Tennessee and 16 other states and territories,” she wrote. I wanted to remind you guys to vote the people who most represent YOU into power. If you haven’t already, make a plan to vote today. Whether you’re in Tennessee or somewhere else in the US, check your polling places and times at vote.org.”

 

Though Swift doesn’t make any explicit endorsement in the post, she’s historically been influential in getting fans into the voting booth. In 2018, she made her first public endorsement of any candidate with a post on Instagram, an event that she explored in her 2020 documentary “Miss Americana.” The post had a rippling effect on fans, referred to as the Taylor Swift effect, as 169,000 people registered to vote in the 2018 midterm elections in the two days after she shared her message.

 

In 2020, she endorsed President Joe Biden and spoke out against President Donald Trump, who was then in office. Swift has continually encouraged fans to register to vote, and last September, her post on Instagram led to a surge in registrations on Vote.org where, at the time, the website was averaging 13,000 users every 30 minutes.

 

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— Variety

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Phibro Animal Health Corporation to participate in Barclays Global Healthcare Conference

TEANECK, N.J. — (BUSINESS WIRE) — Phibro Animal Health Corporation (Nasdaq: PAHC) announced today it will participate in the Barclays Global Healthcare Conference.

Chief Financial Officer, Glenn David along with Chief Operating Officer, Larry Miller will address financial analysts and investors on Tuesday, March 12, 2024, at 4:35 p.m. ET at the Loews Miami Beach Hotel.

 

The live audio presentation will be available on the Phibro Animal Health Corporation Investor Relations Website at https://investors.pahc.com. A replay of the session will be available and archived on the company’s website.

 

About Phibro Animal Health Corporation

Phibro Animal Health Corporation is a leading global diversified animal health and mineral nutrition company. We strive to be a trusted partner with livestock producers, farmers, veterinarians, and consumers who raise or care for farm and companion animals by providing solutions to help them maintain and enhance the health of their animals. For further information, please visit www.pahc.com.

 

Our filings with the Securities and Exchange Commission are available online at www.sec.gov, www.pahc.com or on request from the company.

 

Contacts

Glenn David

Chief Financial Officer, Phibro Animal Health Corporation

+1-201-329-7300

investor.relations@pahc.com

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Universal Display Corporation announces participation at upcoming conferences

EWING, N.J. — (BUSINESS WIRE) — $OLED #OLEDUniversal Display Corporation (Nasdaq: OLED) (UDC), enabling energy-efficient displays and lighting with its UniversalPHOLED® technology and materials, on Wednesday announced its participation in the following industry conferences.

Industry Conferences:

LOPEC 2024

Date: March 5, 2024

Location: Munich, Germany

Presenter: Dr. Mike Hack, Vice President of Business Development

Presentation: UDC’s Groundbreaking Advances for the OLED Industry

2024 OLED Korea Conference

Date: March 28, 2024

Location: Seoul, Korea

Presenter: Dr. Mike Hack, Vice President of Business Development

Presentation: UDC’s Phosphorescent OLED Innovation Roadmap

International Conference on Display Technology (ICDT) 2024

Date: March 31-April 3, 2024

Location: Hefei, China

Plenary Presenter: Dr. Julie Brown, Executive Vice President and Chief Technical Officer

Plenary Presentation Title: Next Frontiers in OLED Technology

Presenter: Dr. Zhaoqun Zhou, Principal Technologist

Presentation Title: Surface Plasmonic Coupled PHOLED Device Performance: Improving Efficiency, Stability and Angle Dependence

 

About Universal Display Corporation

Universal Display Corporation (Nasdaq: OLED) is a leader in the research, development and commercialization of organic light emitting diode (OLED) technologies and materials for use in display and solid-state lighting applications. Founded in 1994 and with subsidiaries and offices around the world, the Company currently owns, exclusively licenses or has the sole right to sublicense more than 6,000 patents issued and pending worldwide. Universal Display licenses its proprietary technologies, including its breakthrough high-efficiency UniversalPHOLED® phosphorescent OLED technology that can enable the development of energy-efficient and eco-friendly displays and solid-state lighting. The Company also develops and offers high-quality, state-of-the-art UniversalPHOLED materials that are recognized as key ingredients in the fabrication of OLEDs with peak performance. In addition, Universal Display delivers innovative and customized solutions to its clients and partners through technology transfer, collaborative technology development and on-site training. To learn more about Universal Display Corporation, please visit https://oled.com/.

 

Universal Display Corporation and the Universal Display Corporation logo are trademarks or registered trademarks of Universal Display Corporation. All other Company, brand or product names may be trademarks or registered trademarks.

 

All statements in this document that are not historical, such as those relating to the projected adoption, development and advancement of the Company’s technologies, and the Company’s expected results and future declaration of dividends, as well as the growth of the OLED market and the Company’s opportunities in that market, are forward-looking financial statements within the meaning of the Private Securities Litigation Reform Act of 1995. You are cautioned not to place undue reliance on any forward-looking statements in this document, as they reflect Universal Display Corporation’s current views with respect to future events and are subject to risks and uncertainties that could cause actual results to differ materially from those contemplated. These risks and uncertainties are discussed in greater detail in Universal Display Corporation’s periodic reports on Form 10-K and Form 10-Q filed with the Securities and Exchange Commission, including, in particular, the section entitled “Risk Factors” in Universal Display Corporation’s Annual Report on Form 10-K for the year ended December 31, 2023. Universal Display Corporation disclaims any obligation to update any forward-looking statement contained in this document.

 

Follow Universal Display Corporation

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Contacts

Universal Display:

Darice Liu

investor@oled.com
media@oled.com
+1 609-964-5123

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Management for Ghetto Gods in Divineland shares reviews

The reviews are in! It’s a hit!

 

GHETTO GODS IN DIVINELAND has playing at Passage Theatre in Trenton, during February and the  performances ended Sunday, Feb. 25.

 

It was a “shot to experience the incredible show in our Speak Your Truth season!” states management.

 

Here’s what the critics have had to say:

 

“Fresh music, social poetry, and communal dance.. rough yet soulful movements… the performance I attended was extremely well-received. The overpacked audience LOVED it.” —Broad Street Review

 

“Lofty romantic ideas abound… so do raw, intense emotions. Sporadic lines catch your ear… There’s also a large dose of humor and irony.” —Princeton Info

 

“The show can be a bridge that not only connects art forms, but hopefully, empowersaudiences by leading them to deeper levels of understanding of fundamentally universal issues.” —Town Topics

 

“…simultaneously street-smart and mythical, with satiric jabs at politicians and the media.” —NJ Arts

 

“It is a gift of invaluable richness, one that I cannot more strongly urge audiences to accept.” —Out in Jersey

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The AACCNJ calls for an immediate moratorium on all public non-emergency public procurement contracts for up to $5M 

TRENTON, N.J. —  The African American Chamber of Commerce of New Jersey (AACCNJ) seeks the support of the Murphy Administration, NJ State Senate President Nicholas P. Scutari, Assemblyman and Speaker, Craig J. Coughlin, and NJ State Representative, and NJ Legislative Black Caucus Chair, Shavonda E. Sumter, in its request for a moratorium and on all non-emergency public procurement contracts up to five million effective immediately.

 

The AACCNJ formed a task force to spearhead the next steps with the Murphy Administration as a result of the findings of the State’s commissioned study, conducted by Mason Tillman Associates, LTD, which documented the institutional discrimination to African American businesses in NJ. The body of the Task Force believes that the moratorium is important because there are still opportunities that will be presented by the Murphy administration to consider but without an immediate moratorium, the same outcome will occur for those that have benefitted in the past.

 

“The moratorium will be a precursor to finding a remedy to the gross harm done to Black businesses in the state procurement process,” said John E. Harmon, Sr., IOM, Founder, President & CEO, AACCNJ.

 

“We believe this can be done without legislative approval. Contracts are still being doled out as we wait for the next steps. It is business as usual; this step is necessary; and past practices may be accelerated in anticipation of new standards to level the playing field,” said Harmon.

 

The task force is co-chaired by Dr. Denise Anderson, Denise Anderson and Associates and Ferlanda Nixon, Esq., Chief of Public Policy & External Affairs, AACCNJ. Committee Members include John E. Harmon, Sr., President CEO, AACCNJ, Gary Mann, Chairman of the Board, AACCNJ, Tammeisha Smith, Vice Chair of the Board, Stan Prater, Senior Advisor to AACCNJ President & CEO, Tanya Freeman, Esq, Chair of the Board, NY State Black Business Alliance (NYSBBA), Robert Johnson, Esq., Secretary, AACCNJ, Board of Directors, Marcus Dyer, CPA, Treasurer, AACCNJ, Board of Directors, Robert Warrington, Esq., AACCNJ Board of Directors, and Monique Nelson, Executive Chair, UWG.

 

“We anticipate more recommended best practices to ensure a more equitable participation for Black businesses in public procurement as we go forward to codify definitive goals that incentivize inclusion and cement our mutual commitment to have a stronger and more equitable economy with the Murphy administration, and public stakeholders,” said Harmon.

 

“We see the acceptance of this requested moratorium as a good faith effort to advance the state’s procurement efforts more equitably.”

 

AACCNJ Press Release:  The African American Chamber of Commerce of New Jersey (AACCNJ) hosted a Town Hall Meeting with over three hundred in attendance. Topic: “The Fierce Urgency of Now” – A Presentation on the State’s Disparity Study on Feb. 8, 2024.

 

“As we move forward, we ask the Governor and his administration to also hold a statewide meeting, to discuss the results of the disparity study,” said Harmon.

 

“The Administration needs to establish a race and gender-based program with minority and woman-owned business utilization goals to end the discriminatory practices in its award of contracts,” said Harmon.

 

“Our mutual goal henceforth is to have a more equitable participation in every area of the public sector wherein economic opportunities exist.”

 

“The Study, as expected, revealed that African American businesses received little of the $ 18.5 billion the Murphy administration spent on contracts for construction, professional services and goods and services from 2015 to 2020,” said John E. Harmon, Sr.

 

“While expecting the worst, little did we know that the Study would document African Americans received less than one (1) percent of the $18.5 billion dollars the State awarded to contractors. African American businesses received a pittance despite the fact that we represent, 14 percent of the population, and over 10 percent of the businesses in New Jersey willing and able to contract with the State.”

 

For updates on events and actions related to the recent Disparity Study, please visit aaccnj.com.

 

About the African American Chamber of Commerce of New Jersey

The African American Chamber of Commerce of New Jersey (AACCNJ) performs an essential role in the economic viability of New Jersey. While providing a platform for New Jersey’s African American business leaders, to speak with a collective voice, the AACCNJ advocates and promotes economic diversity fostering a climate of business growth through major initiatives centering on education and public policy. The Chamber serves as a proactive advocacy group with a 501(c) 3 tax exemption, which is shared by the National Black Chamber of Commerce.

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Cell therapy company Tevogen Bio Holdings Inc. (Nasdaq: TVGN) rings opening bell at Nasdaq Exchange on Feb. 15, begins public trading on the open market

WARREN, N.J. — (BUSINESS WIRE) — Tevogen Bio Holdings Inc. (‘Tevogen Bio’) (Nasdaq: TVGN) celebrated commencement of its public trading by ringing the opening bell at the Nasdaq Stock Exchange in Times Square, New York, on Feb. 15, 2024.

 

This major milestone underscored the company’s commitment to its valued shareholders and its mission to develop commercially attractive, affordable, genetically unmodified off-the-shelf T cell therapies for large patient populations in virology, oncology, and neurology.

“We are deeply honored to become part of the Nasdaq family, a significant milestone that highlighted the commitment and dedication of our team,” remarked Ryan Saadi, MD, MPH, Chief Executive Officer of Tevogen Bio.

 

“This event not only reconfirmed company’s growth strategy but also reinforced our commitment to our mission. As we embark on this new chapter, we look forward to contributing to the market’s vibrancy and delivering value to our shareholders and patients.”

 

About Tevogen Bio

Tevogen Bio is a clinical-stage specialty immunotherapy company harnessing one of nature’s most powerful immunological weapons, CD8+ cytotoxic T lymphocytes, to develop off-the-shelf, genetically unmodified precision T cell therapies for the treatment of infectious diseases, cancers, and neurological disorders, aiming to address the significant unmet needs of large patient populations. Tevogen Leadership believes that sustainability and commercial success in the current era of healthcare rely on ensuring patient accessibility through advanced science and innovative business models. Tevogen has reported positive safety data from its proof-of-concept clinical trial, and its key intellectual property assets are wholly owned by the company, not subject to any third-party licensing agreements. These assets include three granted patents and twelve pending patents, two of which are related to artificial intelligence.

 

Tevogen Bio is driven by a team of highly experienced industry leaders and distinguished scientists with drug development and global product launch experience. Tevogen Bio’s leadership believes that accessible personalized therapeutics are the next frontier of medicine, and that disruptive business models are required to sustain medical innovation.

 

Forward-Looking Statements

This press release contains certain statements that are not historical facts and are forward-looking statements within the meaning of the federal securities laws, including without limitation statements regarding the anticipated benefits of the recent business combination with Semper Paratus Acquisition Corporation (the “Business Combination”), the future financial condition and performance of Tevogen Bio, and the product candidates, products, markets, and expected future performance and market opportunities of Tevogen Bio. These forward-looking statements generally are identified by the words “believe,” “project,” “expect,” “anticipate,” “estimate,” “intend,” “think,” “strategy,” “future,” “opportunity,” “potential,” “plan,” “seeks,” “may,” “should,” “will,” “would,” “will be,” “will continue,” “will likely result,” and similar expressions, but the absence of these words does not mean that a statement is not forward-looking. Forward-looking statements are predictions, projections and other statements about future events that are based on current expectations and assumptions and, as a result, are subject to risks and uncertainties.

 

Factors that could cause actual future events to differ materially from the forward-looking statements in this communication include without limitation: (i) the effect of the announcement of the Business Combination on Tevogen Bio’s business relationships, operating results, and business generally; (ii) the outcome of any legal proceedings that may be instituted against Tevogen Bio related to the Merger Agreement or the Business Combination ; (iii) changes in the markets in which Tevogen Bio competes, including with respect to its competitive landscape, technology evolution, or regulatory changes; (iv) changes in domestic and global general economic conditions; (v) risk that Tevogen Bio may not be able to execute its growth strategies or may experience difficulties in managing its growth and expanding operations; (vi) risk that Tevogen Bio may not be able to develop and maintain effective internal controls; (vii) costs related to the Business Combination and the failure to realize anticipated benefits of the Business Combination or to realize estimated pro forma results and underlying assumptions, including with respect to estimated shareholder redemptions; (viii) the failure to recognize the anticipated benefits of the Business Combination and to achieve Tevogen Bio’s commercialization and development plans, and identify and realize additional opportunities, which may be affected by, among other things, competition, the ability of Tevogen Bio to grow and manage growth economically and hire and retain key employees; (ix) the risk that Tevogen Bio may fail to keep pace with rapid technological developments to provide new and innovative products and services or make substantial investments in unsuccessful new products and services; (x) the ability to develop, license or acquire new therapeutics; (xi) the risk that Tevogen Bio will need to raise additional capital to execute its business plan, which may not be available on acceptable terms or at all; (xii) the risk of product liability or regulatory lawsuits or proceedings relating to Tevogen Bio’s business; (xiii) uncertainties inherent in the execution, cost, and completion of preclinical studies and clinical trials; risks related to regulatory review, and approval and commercial development; (xiv) risks associated with intellectual property protection; (xv) Tevogen Bio’s limited operating history; and (xvi) those factors discussed in Tevogen Bio’s filings with the SEC and that that are contained in the Proxy Statement/Prospectus relating to the Business Combination.

 

The foregoing list of factors is not exhaustive. You should carefully consider the foregoing factors and the other risks and uncertainties described in the “Risk Factors” section of the Proxy Statement/Prospectus and other documents to be filed by Tevogen Bio from time to time with the SEC. These filings identify and address other important risks and uncertainties that could cause actual events and results to differ materially from those contained in the forward-looking statements. Forward-looking statements speak only as of the date they are made. Readers are cautioned not to put undue reliance on forward-looking statements, and while Tevogen Bio may elect to update these forward-looking statements at some point in the future, they assume no obligation to update or revise these forward-looking statements, whether as a result of new information, future events or otherwise, except as required by applicable law.

Contacts

Tevogen Communications

T: 1 877 TEVOGEN, Ext 701

communications@Tevogen.com

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African cinema set to shine at Berlin Film Festival, but continent’s moviemakers insist ‘there’s always room for more’

Africa’s growing screen industries are making their mark on the global stage, with three titles in the main competition at this year’s Berlin Film Festival, but how to unlock the continent’s still-untapped potential was a question on the minds of many at a conference hosted on Saturday by the European Film Market.

Tyler Ricketts (l.) and Carmen Thompson (Courtesy of Christopher Vourlias)

 

A partnership between EFM and Prudence Kolong’s Stockholm-based consulting firm Yanibes, AfroBerlin was launched to give a platform to filmmakers from Africa and the diaspora and “to find a place where they can share stories and experiences and be heard,” said Kolong, who also organizes the Cannes Film Festival’s AfroCannes industry showcase.

 

The event brought together industry professionals from the continent with their counterparts in Europe and beyond, underscoring the ways in which the often-marginalized African screen industries have elevated their international profile. “When we’re talking about the global film market…we are part of the discussion,” Kolong said. “People are thirsty to know more about African stories.”

 

This year marks an auspicious Berlinale for filmmakers from the continent, with veteran Mauritanian-Malian auteur Abderrahmane Sissako’s “Black Tea” and French-Senegalese director Mati Diop’s “Dahomey” both bowing in the main competition, alongside Nelson Carlos De Los Santos Arias’s “Pepe,” a co-production between the Dominican Republic, Namibia and Germany. The jury, meanwhile, is headed by actor Lupita Nyong’o, who was raised in Kenya and whose ascent to A-list status in Hollywood is a source of pride and inspiration for many up-and-coming African talents.

 

The day’s sessions — wide-ranging, spirited, at times fractious — highlighted both the dynamism of film and TV production in Africa and its diaspora, as well as the challenges filmmakers face at a time when global crises and shifting economic headwinds have rattled screen industries worldwide.

Mati Diop’s “Dahomey” is competing for the Golden Bear in Berlin. Courtesy of Berlin Film Festival

 

“Financing is a problem. Because we don’t have the infrastructure as such on the continent. We don’t have the funding bodies you have in Europe and the Americas,” said Jacqueline Nsiah, a member of the selection committee for the festival’s competitive Encounters strand, who appeared in conversation with Berlinale executive director Mariëtte Rissenbeck and Neom’s managing director of media industries, entertainment and culture, Wayne Borg.

 

“The biggest challenge is to find a way to create networks to create funding opportunities on the continent,” she continued. “Producers are trying to find ways to tap into private investors, private companies. And I think that needs to happen more.”

 

In recent years, the panacea for many African creators has been an uptick in commissioning spend from global streaming platforms, though that optimism has dimmed in light of Amazon’s decision last month to press pause on its original content production on the continent, and broader questions about whether streaming giants are fully committed to Africa.

 

Borg, however, stressed that “there’s a lot of movement the other way” into the region, adding that his growing Saudi Arabian production powerhouse is “keen to engage more with the African industry.”

 

“For us, the African market, the Indian market, are equally important to us. What we’re keen to do is to create the right recipe, the right ingredients, to do that,” he said. “We’re open for business.”

 

Crossing borders

Africa’s diaspora community was out in full force on Saturday, reflecting on the multiplicity of cultures and backgrounds that shaped them; the term “Afropean” — a mélange of African and European identities — was adopted by several of the speakers, while others represented the wider diaspora in Latin America, the Caribbean and the U.S.

 

“To be an African is not to belong to a so-called country,” said Welket Bungué, a multi-hyphenate of Bissau-Guinean and Portuguese descent who’s based in Berlin. “We can be simultaneous. We don’t have to be one thing or another.”

Abderrahmane Sissako is competing at this year’s Berlinale with “Black Tea.”“Black Tea” (© Olivier Marceny, Cinefrance Studios, Archipel 35, Dune Vision)

 

For many young Africans — whether the children of immigrant parents in Europe and the U.S. or the consumers of global content on African soil — the old borders no longer apply. The growth of the continent’s screen industries is likely to reflect that trend: While Neom’s Borg made a strong pitch for the Saudi biz — which, with financing tools such as the Red Sea Film Fund, is fast becoming a key player in the African market — Saturday’s conference also made the case that there’s room for more trans-Atlantic collaboration between countries in the global South.

 

Luiz Toledo of Brazil’s Spcine, the city of São Paulo’s film and TV body, which signed a co-production agreement with South Africa’s National Film and Video Foundation last year, underscored that Brazil is home to the second-largest Black population on the planet — making it ripe for co-productions and other collaborations with African partners.

 

Throughout the day, speakers highlighted the need for African creators to seize control of their own narratives. “In order to tell our story properly, three-dimensional, with an impact…we need to be in power positions at every step of the process,” said Tyron Ricketts, one of Germany’s most successful Black actors, who produced the series “Sam — a Saxon” for Disney Plus through his Panthertainment label.

 

What that looks like, the world is only beginning to find out. Africa is yet to produce a paradigm-shifting movie or series on the level of South Korea’s “Squid Game,” but Editi Effiong’s revenge thriller “The Black Book” became the first-ever Nigerian film last year to reach #3 on Netflix’s worldwide film charts, breaking the streamer’s Top 10 list in more than 69 countries.

 

“There’s nothing to say that content from the African continent, from the Middle East, shouldn’t find a global audience. Great stories will travel,” said Neom’s Borg. Despite the strong African representation at this year’s Berlinale, Nsiah insisted: “There’s always room for more.”

 

 

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— Variety