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Scandal-hit Japanese talent agency Johnny and Associates renamed as Starto Entertainment

Johnny & Associates, the Japanese talent agency that has been embroiled in a huge sexual abuse scandal, is rebranding itself as Starto Entertainment.

 

The name is derived from the words ‘star’ and ‘to’ implying “to head toward the future,” the group said on Friday.

 

“It is an expression of our commitment to all our artists current and yet to come, with whom we inaugurate a new era in accordance with their individual talents and personal goals,” the group explained.

 

Johnny & Associates was for many years the most powerful talent shop in Japan, creating idol groups such as Snow Man, and leveraging its male performers into film and TV roles.

 

It was brought low by a scandal relating to its founder Johnny Kitagawa who abused young male performers over a period of decades before his death in 2019. While this seems to have been known, but widely ignored by many in the industry, the scale of depravity and cover-up blew up earlier this year following a BBC documentary.

 

Two subsequent third-party investigations revealed details. And Johnny’s current management was forced to admit the events were factual. It also said that it would set up a compensation fund and investigate claims.

 

Corporate partners and sponsors, however, fled from the scandal. Some ended their use of Johnny’s talent in commercials. Others, such as state broadcaster NHK, chose not to book Johnny’s talent on its shows.

 

With a new name, Johnny’s appears to be trying again to put recent events behind it and to be looking forward again.

 

“Starto is, without any doubt, an entertainment team that represents the pride of Japan. Be it song, dance, or stagecraft, the first-class contents and national treasures of Japan have left an indelible mark around the world and mandate continued effort to meet the appropriately high expectations of their passionate fans,” it said.

 

Additionally, it set out three addition undertakings: greater digitization, including the establishment of a proprietary music streaming platform; increased global openness and overseas outreach; and “metaverse market entry”: extending artists’ talents with state-of-the-art technology.

 

“We will fervently apply ourselves toward a just, upright, bright, and international future for a new entertainment landscape,” it added.

 

 

Variety

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Nicolas Cage talks: ‘Superman’ that flopped, top five screenplays, filming the ‘most humiliating sex scene in the history of cinema’

From internet memes to a slew of movies, this is the Age of Cage, but Nicolas Cage himself revealed that as he approaches his 60th birthday he is taking stock.

 

He told a sold-out audience at the Red Sea Film Festival that he was winding down his film career after 45 years and over 100 films: “I want to do television; maybe Broadway.”

 

His decision – inspired in part by his son showing him “Breaking Bad” — won’t be final, as he has several film projects in the pipeline, including “Sympathy for the Devil,” co-starring festival jury member Joel Kinnaman and a sequel to 2005’s “Lord of War” — “My character’s son grows up and becomes a rival. It’s very Arthurian,” he said.

 

The Academy Award winning actor hyped by the “good energy” in the room talked through the four decades of his career and every film mentioned was greeted by whoops and applause from an enthusiastic to the point of deafening audience. Cage explained his name change – “Filmmakers don’t want the name Coppola above the title of their movies” – and shared many stories that spanned his entire career, at one point simply responding to whatever film the audience cried out. “Face/Off” was mentioned: “That one might be a masterpiece,” he said. “Ghost Rider” – “It’s like Disney made a film about Faust; like a tattoo which came to life.” Cage spotted a fan holding up a poster for the film and called her to the stage to show the audience, revealing he often goes on eBay to buy memorabilia from his own films as well as comic books of which he’s an avid collector.

 

Had acting not turned out, his Plan B had been to become a fisherman in Alaska, and so couldn’t help but talk about some of the films which got away. He was in play for the George Clooney role in “A Perfect Storm.” The film which he most regrets losing and which got the biggest cheer of the night was “Superman,” with Cage as the Man of Steel and Tim Burton directing: “The studio wanted Renny Harlin and were frightened it would cost too much money so they shut it down.”

 

While making “City of Angels” his decision to not blink as the angel was in preparation, he said, for playing the otherworldliness of Kal-El (aka Clark Kent) in the planned “Superman,” which would have immediately followed it. Cage also noted that he’d approached David Bowie to write a theme song for “Superman.”

 

The “Wild at Heart” star also paid respect to those who helped him in his career such as “Valley Girl” director Martha Coolidge who picked his headshot out of a pile; his uncle Francis Ford Coppola “was like a dad to me,” and co-stars such as Sean Connery. “He wanted to play golf and I wanted to go fishing and so we ended up talking about movies.” Cage’s clear intellectual philosophy when it comes to screen acting was clear. “Independent dramatic cinema is my well,” he said. And throughout the talk he characterized himself as a student always trying to push himself into zones of discomfort. He listed his top five screenplays as “Raising Arizona,” “Vampire’s Kiss,” “Leaving Las Vegas,” “Adaptation” and “Dream Scenario.” Two of his favorite films are “Pig” and “Dream Scenario.”

 

Securing an Oscar for “Leaving Las Vegas” was like getting tenure, Cage said. “My uncle sent a telegram that read ‘Congratulations Nicky, from Francis Cage.’” Having achieved critical recognition, Cage embarked on an unexpected stint as an action hero in films such as “The Rock” and “Con Air.” More recently he discovered that he had become a meme, googling his own name to find a series of videos entitled “Nicolas Cage loses his shit.” The shock left him “confused, frustrated and a little stimulated.” His new film “Dream Scenario,” about a man who finds that he is appearing in everyone’s dreams, is directly related to Cage’s own changing relationship to fame: “I suffered from the memeification and my character suffers from the dreamification.” It also features what he describes as “the most humiliating love scene in the history of cinema.”

 

Now Cage has taken to picking his projects more “severely and stringently” and is acutely aware of the passage of time. “I have a 15-month-old daughter waiting for me at home.” Asked if he shows his children his films, he laughs “absolutely not. We watch the cartoon ‘Invincible.’ It’s wild.”

 

 

 

Variety

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SZA receives ‘love galore’ as Hitmaker of The Year winner! ‘It’s ironic’ after ‘punching up so long’

 It was all about love, love, love as SZA won Variety’s Hitmaker of the Year award!

Source: Christopher Polk / Getty

The “Good Days” singer was accompanied on stage by her goddaughter, Nova, when she accepted the award presented by Variety’s Executive Editor of Music, Jem Aswad. SZA thanked her loved ones in the speech. After listing her parents and homies, her goddaughter’s sweet voice interrupted, “And Nova.”

“And Nova,” the honoree echoed. “Thank you to Nova for bringing me joy and teaching me childlike wonder and reminding me what it’s like to not know what is going on and still be happy anyway,” the artist improvised, inciting giggles from the audience.

 

SZA built a following in the underground music scene by making fan favorites like “Babylon” and “Child’s Play.” However, some critics claimed her tunes weren’t radio-friendly.

 

“I just think it’s really ironic that I’m considered a hitmaker because punching up for so long, the whole conversation was, ‘I don’t make radio music. I don’t have any radio hits. I don’t have a sound.’ I realized the biggest thank you is to those who saw me as a hitmaker before that,” said the “All The Stars” singer. “To all my fans that listened to me before I ever went number one or anything like that.”

 

SZA accepts the Hitmaker of the Year award. | Variety Hitmakers presented by @sonyelectronics https://t.co/hmQuUd5Zxz pic.twitter.com/Ut2t1vQVa7

— Variety (@Variety) December 2, 2023

 

SZA then explained how her definition of a hitmaker wasn’t in the traditional sense.

“I really feel like being a hitmaker is just having other people, the public, believe what God and your inner circle that you’ve been blessed to have around you already sees in you. And I’m grateful to have an exceptional inner circle.”

 

 She continued, “Thank you for taking the time to break it down for me and just give me patience and encourage me to believe that, ‘It’s okay. There will be a time for you to do your thing and they’ll play you one day. And that day did come. And I’m so grateful.”

 

Aswad told the audience, “It’s very rare for an album to top the charts, the critics’ polls, and win people’s hearts the way SZA’s album, SOS, has done. She was our first choice for Hitmaker of the Year.”

 

View this post on Instagram

A post shared by SZA (@sza)

 

The 34-year-old has been making waves since her debut album Ctrl in 2017. After the release of her highly anticipated sophomore album, SOS, she solidified herself as a chart-topping artist. The Grammy winner has smashed not only Whitney Houston’s records but the Queen of Soul, Aretha Franklin’s. In addition, SZA — born Solana Rowe — has had the longest-running No. 1 song on the Billboard Top R&B charts.

 

In addition, Variety’s honoree earned nine Grammy nominations for the 2024 ceremony — more than any other artist. The noms were a magical way to end her tour, which has received stellar reviews. Fans spoke glowingly about the signer’s delivery and stage presence.

 

SZA’s next album is already in the pipeline

Source: Christopher Polk / Getty

Solana plans to release a deluxe version of SOS  titled Lana that will only expand her reach and impact. The “Broken Clocks” singer admits she is unclear about the exact direction of the album. Like many Beyhivers, she asks, “What would Beyonce do?” when she’s in a jam.

 

“It’s definitely turning into its own album… and I guess I could drop a new album randomly, because no one’s actually expecting that from me right now,” she told the publication. “But I can’t tell if now’s the time to be consistent, or carefree.”

 

On the one hand it’s like, ‘What would Beyonce do?,’ but I am also deeply inspired by people who do whatever the f**k they want, like Frank Ocean and Andre 3000. Some of my favorite songs were the ones that I dropped on SoundCloud [early in her career], because it was so stress free.”

 

If you missed her tour (and you’re willing to take a trip over the pond), no worries! The highly decorated Artist has a second European tour leg for “SOS” in the works.

 

The “Conceited” singer’s 2023 has been stellar, and her 2024 is set to be just as amazing.

 

SZA once said, “I’m bettin on me,” and it is undoubtedly paying off.

 

 

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Angel Reese reveals Shaq ‘facetimed’ her daily during ‘mental health’ hiatus & cryptically claps back at haters

Angela Reese makes her long-awaited comeback with a warning for haters: “Just make sure that apology is as loud as the disrespect.”

Source: Ethan Miller / Getty

 

The 21-year-old returned to the hardwood for the first time since the LSU Tigers played Kent State on November 14. Angel helped her team secure a victory over Virginia Tech, scoring 19 points and nine rebounds during her 29 minutes of play.

 

TMZ reports that during a post-game interview, Reese revealed the reason behind her 4-game absence. She took time away from the court for a mental health break with daily moral support from Shaq. The First-Team All-American explained that she did not want to be “a cancer in the locker room.”

 

Angel Reese came in postgame, said, “who’s happy to see me?! I know y’all are!”

 

She’s talked a lot about her mental health, taking time for herself and how important that was for her.

 

I asked her who she leaned on during the last couple of weeks. She talked a lot with Shaq: pic.twitter.com/kHcK8UdqNW

— Cory Diaz (@ByCoryDiaz) December 1, 2023

 

As Angel walked into the press area, she quipped, “How happy are y’all to see me? I know y’all are. Let’s have some fun here,” before taking a seat.

 

After questioning began, she told journalists, “My mental health is the most important thing before anything. And I’m going to make sure I’m OK before anything. Because I don’t want to cause anything, harm or any cancer within the locker room.”

 

She continued, “So, being able to take a reset to myself. Like I said before, I am human. I’m not just an athlete and that’s OK to do. Pro’s do it all the time.”

 

Angel added, “So, whatever stories that were wrote and written, don’t believe everything you read. I’m back, and I’m happy, and I’m here. And I’m moving forward, and I’m gonna help take this team as far as I can.”

 

Welcome back Angel Reese. pic.twitter.com/xpeS2gSWGL

— ACESholding22 (@colecamkicks) December 1, 2023

 

The Bayou Barbie has received support from some big names, including retired baller Shaquille O’Neal. Angel claims Shaq calls her daily to “check in.”

 

“Having supportive people has been really important to me,” she said.

 

After naming her mother as the main character in her supporting cast, she said, “I talk to Shaq everyday. He FaceTimes me everyday. He checked on me. He called me every single day to make sure I was good. He told me everyday this too shall pass.”

 

She continued, “He’s been here before. He knows what it takes and just being able to have somebody like that was something that was really good for me.”

 

“He told me when I was right. He told me when I was wrong. He told me what I needed to do to get back to where I needed to be and I know he’s gonna call me after the game, if he hasn’t already.”

 

Angel Reese returns with a message about disrespect after a break from playing

Source: Icon Sportswire / Getty

 

Following her team’s victory, Reese posted a cryptic message to Instagram on Friday, “Just make sure that apology is as loud as the disrespect,” she wrote.

 

Reese never named names in the post. It seemingly addressed those who negatively speculated why she was absent from the court. Some social media users blamed the hiatus on poor grades, while others attributed it to her bad attitude.

 

So it looks like Angel Reese was NOT:

– Academically ineligible
– Going out of her mind
– Letting fame get to her
– Making too much money
– Not taking basketball seriously

 

Too many people wanted an “I knew it” moment with the situation and owe an apology pic.twitter.com/JumDgp6LWK

— Martin Soaries | Basketball Jedi 🧘🏾‍♂️🥷🏾🥢💫 (@marsoaries) December 1, 2023

 

During Reese’s leave, Kia Brooks, the mother of her teammate, Flau’jae Johnson, took to Instagram with a message for the Greenville Regional MVP’s mother, Angel Webb Reese.

 

“You definitely know about grammar errors when your daughter got a 2.0-or-less grade point average,” she spewed. “Stop being petty, fake and hateful, and take responsibility for you and your daughter’s actions.”

 

LSU head coach Kim Mulkey’s refusal to bring clarity only intensified speculations, although she did admit “locker room issues” were the catalyst.

 

Upon beating Virginia Tech, Mulkey stated she was “proud of how [Angel] handled herself, proud she’s back to the Angel everybody knows. . . . There’s nothing but positive things about what happened on that floor.”

 

I’m glad to see Angel Reese will be back with her team and playing tonight. I would love to know what the reason she was out is (THEY say her grades slipped but she said that’s not what happened), but I’m also cool if that doesn’t come out because it’s really none of our business pic.twitter.com/EmsxMekKKb

 

— Ultramagnetic LB’s (@LBrothersMedia) November 29, 2023

 

In addition to Reese’s return, Coach Mulkey nabbed her 700th victory. She became the fastest coach to reach this achievement in men’s and women’s collegiate basketball history.

 

Congrats all around!

 

Hopefully, whatever issues the team had were solved, and the ladies can keep their focus on basketball.

 

 

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‘Godzilla x Kong’ trailer: The two iconic monsters team up to battle colossal threat in ‘The New Empire’

The MonsterVerse returns for its fifth installment with the new trailer of “Godzilla x Kong: The New Empire.”

 

The film comes after Legendary Pictures’ 2021 feature “Godzilla vs. Kong” helmed by Adam Wingard, who returns to direct this upcoming monster movie. Rebecca Hall, Brian Tyree Henry and Kaylee Hottle reprise their 2021 roles as Dr. Illene Andrews, Bernie Hayes and Jia, respectively. The film also stars franchise newcomers Dan Stevens and Fala Chen.

 

Per the “The New Empire’s” official synopsis: “This latest entry follows up the explosive showdown of Godzilla vs. Kong with an all-new cinematic adventure, pitting the almighty Kong and the fearsome Godzilla against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own. The epic new film will delve further into the histories of these Titans, their origins and the mysteries of Skull Island and beyond, while uncovering the mythic battle that helped forge these extraordinary beings and tied them to humankind forever.”

 

Descending from a long lineage of films, “The New Empire” marks the 38th film in the Godzilla franchise, which began in Japan back in 1954 with Ishirō Honda’s “Godzilla.” This also marks the 13th film in the King Kong franchise, which began in the U.S. with the RKO Picture’s 1933 original.

 

“Godzilla x Kong: The New Empire” is written by Terry Rossio, Jeremy Slater and Simon Barrett, with Mary Parent, Alex Garcia, Eric McLeod, Brian Rogers, Thomas Tull and John Jashni serving as producers. The creature feature is set to hit theaters on April 12, 2024.

 

 

 

 

 

Variety

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‘Halo’ Paramount+ series sets Season 2 premiere date, drops first teaser

“Halo” Season 2 has sets its premiere date at Paramount+.

 

The second season of the series based on the popular video game franchise will premiere on Feb. 8, 2024, in all countries where Paramount+ is available.

 

The first two episodes of the season will drop on that date with new episodes dropping weekly thereafter. The announcement was made at CCXP in São Paolo, Brazil, with cast members Pablo Schreiber and Joseph Morgan in attendance along with new showrunner David Wiener and executive producer Kiki Wolfkill.

 

The official description for Season 2 states, “Master Chief John-117 (Schreiber) leads his team of elite Spartans against the alien threat known as the Covenant. In the wake of a shocking event on a desolate planet, John cannot shake the feeling that his war is about to change and risks everything to prove what no one else will believe – that the Covenant are preparing to attack humanity’s greatest stronghold. With the galaxy on the brink, John embarks on a journey to find the key to humankind’s salvation, or its extinction — the Halo.”

 

Morgan joins the cast as James Ackerson, described as “a formidable intelligence operative who has spent his career climbing the ranks of the UNSC’s secretive Office of Naval Intelligence.” Cristina Rodlo is also joining the show in the role of Talia Perez, “a corporal specializing in linguistics for a UNSC Marine Corps communications unit and a relatively new recruit who has yet to see any real combat.”

 

Returning cast members include Natascha McElhone, Jen Taylor, Bokeem Woodbine, Shabana Azmi, Natasha Culzac, Olive Gray, Yerin Ha, Bentley Kalu, Kate Kennedy, Charlie Murphy, Danny Sapani, Fiona O’Shaughnessy, and Tylan Bailey.

 

HALO is produced by Showtime in association with 343 Industries and Amblin Television. The second season is executive produced by Wiener alongside Steven Spielberg, Darryl Frank and Justin Falvey for Amblin Television. Wolfkill serves as executive producer for Xbox/343 Industries, with Otto Bathurst and Toby Leslie for One Big Picture and Gian Paolo Varani. Both Schreiber and McElhone serve as producers this season. The series is distributed internationally by Paramount Global Content Distribution.

 

Paramount+ also released the first teaser trailer for the new season:

 

 

 

 

Variety

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Nickelodeon’s film ‘The Thundermans Return,’ drops first teaser trailer

“The Thundermans Return,” the Nickelodeon film continuation of the popular TV series, has dropped its first teaser trailer on Saturday.

 

“The Thundermans Return” premieres on Paramount+ and all Nickelodeon channels in March 2024. “A super new movie brings the return of one super superhero family,” the narrator says.

 

“The Thundermans” aired on Nickelodeon from 2013 to 2018. The series followed superhero twins Phoebe Thunderman (Kira Kosarin) and Max Thunderman (Jack Griffo) in their daily school lives as they kept their superhero identities a secret, all the while wrestling with their different personalities. Created and executive produced by Jed Spingarn, “The Thundermans” ranked as the top series across all TV in the Kids 2-11 and Kids 6-11 categories.

 

In “The Thundermans Return,” Kosarin and Griffo reprise their roles as Phoebe and Max, respectively. The official description states audiences will get to see “the return of show favorites, new villains and familiar locations.”

 

The film description continues: “After three years of fighting crime in their new city of Metroburg, The Thundermans are suddenly stripped of their assignment and sent back to Hiddenville. While Hank and Barb look forward to their return ‘home’, Chloe develops new friend groups, Billy and Nora enjoy a normal school life, and Max and Phoebe are determined to regain their superhero status.”

 

Along with Kosarin, Griffo, Dan Cross and David Hoge as executive producers, Spingarn serves as writer and executive producer. Trevor Kirschner directs.

 

 

 

 

 

Variety

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Will Smith gives update on ‘I Am Legend’ sequel with Michael B. Jordan

Will Smith has shared new details about “I Am Legend 2,” which he stars in and produces alongside Michael B. Jordan.

 

The upcoming sequel is based on the alternate ending used in the 2007 post-apocalyptic sci-fi movie’s DVD release, rather than its theatrical version, in which his character dies, Smith said Saturday night during a public interview in Jeddah, Saudi Arabia.

 

Smith, who is one of a number of Hollywood A-list star guests at the third edition of the Red Sea Film Festival, also discussed “Bad Boys 4,” where he and co-star Martin Lawrence will reprise their roles in the earlier sequels of the original 1995 hit detective movie.

“I am having a call tomorrow with Michael B. Jordan about [‘I Am Legend 2’],” Smith told a small audience at one of the festival’s In Conversation events.

 

“You have to be a real ‘I Am Legend’ buff to know this, but in the first, theatrical version, my character dies, but on the DVD there was an alternate version of the ending where my character lived. We are going with the mythology of the DVD version. I can’t tell you anything more, but Michael B. Jordan is in.”

 

Smith got in an early self-deprecating reference to the 2022 Oscar’s ceremony scandal where he slapped on-stage presenter Chris Rock after the comedian and actor made a poorly-judged quip about Smith wife Jada Pinkett Smith’s shaved head (the result of a hair-loss condition she was suffering) — saying since his childhood he had “always been good at math and science… and I loved problems and puzzles, so I started making my own problems,” before moving onto an entertaining analysis of his career.

 

His first love was rap, he told an audience dominated by long-time fans. Later, he realized the power of acting to understand, shape and influence the human condition.

 

“Movies are about people trying to figure out how to be here without being miserable – how to be okay with life, how to not just survive but how to thrive into this potential existential tragedy that we have all been dropped into,” he said, adding: “How do we find love and joy in all that.”

 

Asked to name his key mentors, he said that a pivotal moment was working with Tommy Lee Jones and Gene Hackman.

 

“That was the first realization that I could use everything I need around a single project. Those two actors made me realize that I was totally outmatched, and they inspired me to elevate my craft as an actor,” Smith said.

 

An actor with a prodigious record of hits, he said that he did not care whether he appeared in a blockbuster or a more modest project — as long as it was good and he learned from it: “The thing for me is that I have wanted to make good movies that were blockbuster, or blockbusters that were good. To me, the concept of a blockbuster is your heart — the block that gets busted is your heart, where your heart opens to the experience of the movie. That is what I have always concentrated on; even with something like ‘I Am Legend’ – you can give a real performance at the center of a special effects movie.”

Looking ahead, Smith said he wanted to become a mentor to a new generation of filmmakers and teach his craft.

 

“The thing I am really excited about now is the transfer of knowledge. I really want to teach filmmaking.

 

“What is exciting about Saudi Arabia is that it is a brand-new film community. There is a style of global storytelling that has travelled the world. I understand about taking local stories and making them global. I have a deep faith in the power of sharing our stories together to help heal wounds. The next stage of my life will be about working in global collaboration about sharing our stories in a way that creates bridges. I don’t feel that politics will create the necessary change.”

 

Concluding the hour-long conversation — during which he treated the audience to impersonations of Muhammad Ali, Richard Williams (the father of tennis players Serena and Venus Williams, whom he portrayed in the 2021 film “King Richard)” — Smith added his “adversities of the last couple of years” had honed his view on what he wants to do in the next phase of his life: “I have to be clear about who I am and what I am attempting to do in the world, I cannot depend on others applauding me for me to stay focused on my mission.”

 

 

Variety

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Hitmaker Bailey Zimmerman took heartbreak to a record-breaking place with ‘Rock and a Hard Place’

‘Rock and a Hard Place’ set records for the newcomer on the country airplay chart and soared into the top 10 of the Billboard Hot 100 as well. It’s on Variety’s Hitmakers list of the top 25 songs of 2023

 

Country music hasn’t had a huge presence in the mainstream top 10 since Florida Georgia Line provided a couple of big crossover blips in 2014 and 2017 with “Cruise” and “Meant to Be.”

 

But that changed in triplicate in 2023 with three Nashville exports— the well-established Morgan Wallen and Luke Combs, plus a blazing-hot newcomer,  Zimmerman. His first three singles all hit No. 1 on country airplay charts, but it was “Rock and a Hard Place” that landed the 23-year-old Illinois native in the upper ranks of the Billboard Hot 100… and, now, on Variety‘s Hitmakers list of the top 25 songs of the year.

 

Zimmerman’s secret sauce? He’s between rock and a country place — which is to say that he grew up as a rocker, and his gravelly tone reflects the rock power ballads of his youth. Producer Austin Shawn notes, “He’s from Southern Illinois, and what they listen to over there is Eddie Vedder, AC/DC and Lynyrd Skynyrd and Southern rock.” When they’re trying out different vocal approaches, “I’ll be like, ‘Sing it like Scott Stapp from Creed,’ and he can do that.”

 

Even though he brings the party in concert, his singles have tended toward the broken-hearted and balladic. Signed to both Warner Nashville and Elektra, he became an overnight country star with the tearjerker “Fall in Love,” and they stayed in that mode with “Rock and a Hard Place” — his second single — instead of pivoting to an up-tempo, which might have been more the conventional wisdom. Says WMG Nashville marketing chief Jamie Younger, “He had this vision for a trilogy for the first three songs.” The singer’s entire debut album reflects on a bad breakup, and so “Hard Place,” she says, was “just the continuation of a narrative that he had started with ‘Fall in Love’; you wanted to just keep that story going.” (“Religiously,” the title track of his debut album, was third up and completed the trilogy of airplay No. 1s two months ago.)

 

His climb into the top 10 of the Hot 100 with “Rock and a Hard Place” set a record for the longest ascent into those select ranks for a solo artist in that chart’s history: 41 weeks. Yet on the country airplay chart, he set a shortest record, for the least time elapsed between a freshman artist’s first two No. 1 singles. “Rock and a Hard Place” really didn’t want to vacate the top spot, either. With this track, Zimmerman also became the first male artist in country radio history to have one of his first two singles spend six weeks at No. 1. (Among all artists, only Carrie Underwood’s debut single, “Jesus, Take the Wheel,” had ever accomplished that previously.)

 

But its airplay monstrosity followed its streaming monstrosity. A huge part of that was the song, of course, but an equally substantial part was the personality that drew in legions of new fans by the day, who didn’t struggle with too much difficulty in reconciling the heartbroken guy they heard in the songs — which all reflect an IRL bad breakup of his — with the vivacious guy on social media.

 

And he’s one of a breed of young artists who also use their socials to sort of research their own songs, Says Younger, “He’s responsible for picking out where we start with TikTok teasers and things of that nature. He really knows his audience well and he is super in tune with following what they react to, and he started talking about (‘Rock and a Hard Place’) and as soon as he did, fans really clung to it. Bailey always says that he wants to have songs that tell a story and that connect with people. Obviously he always wants hits, but like more than hits, he wants a connection. So when he started seeing fans really connecting with the song, that’s when we all knew that that was the next one that we needed to run towards.”

 

The first time Zimmerman visited Shawn’s home studio, where they record everything from demos to final mixes, “he pulled into the driveway in this big, black lifted truck, and I was like, ‘What the hell is this, man?’” What it was: a head start on building the singer’s massive social following. Zimmerman already had a huge TikTok following in the lifted-truck community, so when it suddenly turned out he could sing, too, he brought years of prior experience in making fans feel like they’re getting a one-to-one connection online. “With his engagement on social media with lifted trucks,” says Younger, “he had this innate understanding of what you need to do to grow an audience; it just hadn’t involved music up to a certain point.” For Zimmerman, social media will always be an easy place.

 

 

Variety

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EbonyLife’s Mo Abudu makes directorial debut with short films about Nigerian women and mental health

Nigerian producer Mo Abudu, CEO of EbonyLife Media, has been helping to share the stories of African people through film and television for years — but never one written by her own hand. Until now, that is.

 

Abudu has made her screenwriting and directorial debut with the release of two short films honing in on mental health issues in Nigeria: “Her Perfect Life” and “Iyawo Mi” “(My Wife).” Her films have recently toured the festival circuit with stops at the Martha’s Vineyard African American Film Festival, the HollyShorts Film Festival, the Rhode Island Film Festival and the Short Film Corner at the Cannes Film Festival.

 

“These two stories are dealing with very, very sensitive issues in Nigerian society when it comes to mental health challenges,” Abudu tells Variety.

 

“And this is a topic that we continue to underplay. And there’s so much stigmatization attached to it within our society — not just Nigeria alone, but even around the world.”

 

While “Her Perfect Life” tells the story of an affluent wife and mother suffering in silence underneath a flawless façade, “My Wife” follows a husband from an impoverished neighborhood desperately seeking help for his wife as she experiences unexpected hallucinations. When they don’t receive the support they need, serious ramifications ensue for both female protagonists of Abudu’s films.

 

By conventional societal measure, “Her Perfect Life” protagonist Onajita has everything: a loving husband and children, a successful career, and a beautiful house meticulously maintained by a dedicated staff. She routinely shares photos reflecting this on her social media; in her private moments, however, she grapples with agonizing emotions and contemplates suicide.

 

Abudu shares what she hopes people take away from the film, emphasizing the importance of empathy and communication.

 

“When someone says, ‘Am I OK?’  — are they really OK? Are we checking on them to make sure they’re really okay?”

 

Abudu also discusses how “Her Perfect Life” and “My Wife” highlight mental health struggles across disparate socioeconomic backgrounds in Nigeria.

 

“What I did set out to do was to tell two different stories about women in my society that are dealing with mental health challenges,” she says.

 

“There’s no discrimination against color, there’s no discrimination against religion, or gender, or how much money is in your pocket at the end of the day. This can affect anyone from any part of our society.”

 

In “My Wife,” Kunle’s wife Eniola is suddenly experiencing a serious and volatile mental health episode, believing that her family is trying to kill her. Kunle first takes her to a hospital, where an ill-equipped doctor exhibits inapprioate conduct. He then turns to the church, which calls for Eniola to be taken to the ocean to be rid of evil spirits. Eniola ultimately never receives adequate professional help.

 

Abudu says she hopes the film speaks to the importance of building out societal infrastructure to provide mental health resources.

 

“We need to make sure that there are support systems,” she says.

 

“We need to stop being in denial…Because I think some people still feel very strongly that [mental illness] isn’t real. But it is real.”

 

Following festival screenings of her shorts, Abudu has high hopes for “Her Perfect Life” and “My Wife” getting some attention from Oscar voters in the narrative short feature film race for the upcoming Academy Awards. Abudu is also eager to return to the director’s chair in the future — and she’s caught the writing bug. No matter the topic she’s exploring or the role she’s in, Abudu plans to continue to champion storytelling from Africa.

 

“As a continent we’ve been so silent,” she says.

 

“It’s really important to start looking at stories in that space. That’s what’s exciting for me. It’s about bringing it home and showing that Africa isn’t left behind. We are part of this global world. And our stories are just as important as any story from anywhere else.”

 

(Pictured top: “Her Perfect Life).”

 

 

Variety