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Asian Film Awards nominee ‘Rapture’ finds distribution in France with Capricci

Dominic Sangma’s “Rapture” (“Rimdogittanga”), which was a nominee at the recently concluded Asian Film Awards, has been snapped up for French distribution by Capricci, as revealed at Hong Kong rights market FilMart.

 

The film revolves around a 10-year-old boy who suffers from night blindness and for whom every night is terrifying when his village is gripped by the fear of child kidnappers. The film debuted at Locarno in 2023 and won prizes at the Asia Pacific Screen Awards and the Mumbai Film Festival. “Rapture” also won the special jury award at the Hainan Island International Film Festival in China and will screen at the upcoming Beijing International Film Festival.

 

The film is a rare India-China co-production. One of the lead producers is China’s Xu Jianshang, who met Sangma at a students’ film festival in 2014 and produced his “Ma’ama,” which won an award at the Shanghai Film Festival. “Rapture” was developed when Xu was attending the Busan Asian Film School in 2019. Xu introduced the project to Sun Li of China’s Joicy Studio, who boarded the project. The film’s India producer, Anu Rangachar, brought in several other producers including Harsh Agarwal of Uncombed Buddha, Aditya Grover and Stephen Zacharias. Eva Gunme R. Marak, a patron for many artists in the region, also boarded the project.

 

“Rapture” was invited to India’s Film Bazaar, won a grant for script development from the International Film Festival Rotterdam’s Hubert Bals Fund, participated in Boost NL and was selected for La Fabrique Cinema at Cannes. Xu took part in Talents Tokyo and Sangma at Berlinale Talents. Funding also came in from Vision Sud Est and the Doha Film Institute.

 

Capricci is a French independent arthouse production, distribution and sales company. The shingle has repped fiolms from directors such as Abel Ferrara, Albert Serra, Hong Sangsoo, Philippe Garrel, Bi Gan, Jean-Charles Hue and Wang Bing.

The Garo-language “Rapture” originated from a childhood memory of Sangma, who hails from Meghalaya in northeastern India, and the film is set there.

 

“Capricci is delighted to be working on the French release of ‘Rapture.’ With this film, we discovered a region of India with which we were unfamiliar, but also a filmmaker of extremely promising talent,” a Capricci spokesperson told Variety. “We were struck by the film’s formal beauty, as well as by Dominic Sangma’s extremely lucid view of his childhood memories and his community. We’re proud to bring his art to French cinephiles.”

 

Sangma told Variety: “Capricci are very special distributors for arthouse films, they distributed some of my favorite films of recent time, they’re perfect for ‘Rapture.’ It gives me immense pleasure that ‘Rapture’ will be theatrically released in France. ‘Rapture’ is a small film from Meghalaya and to be released theatrically in France means a proud moment for my entire Garo community and it is making history for my state, no other film from Meghalaya has released before in France. I am super excited and such moments are to cherish.”

 

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 — Variety (EXCLUSIVE)

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New tea store, Bardo Tea, opens in Portland’s Concordia neighborhood

Ravi Kroesen and Veronika Vogler have opened Bardo Tea’s first retail location this month.

 

PORTLAND, Ore. — Bardo Tea today announced it has opened its first retail location in Portland’s Concordia neighborhood.

 

Bardo Tea’s brick-and-mortar store offers a full line of high-quality single-origin teas and premium blends for retail and wholesale purchase, curated teaware, small batch-produced incense from Asia, and lifestyle products for the fashion- and health-conscious.

 

Going beyond the classic boutique model, Bardo Tea’s structure boasts three segmented spaces—all designed for a distinct and superb tasting experience that accentuates the nuance and complexity of each tea.

 

Kroesen explains, “The purpose of Bardo Tea is to change the mold. From the moment you step into the space, you’ll be welcomed by a converted carriage house split into three rooms—each providing a unique tea drinking experience with teas served in high-end teaware to honor each sip. No milk, sweeteners, or additives. Just tea and water.”

 

Kroesen—who worked as Smith Tea’s Head Teamaker for five years—has spent over two decades in the tea industry, traveling throughout the world to learn from and connect with tea growers, processers and experts.

 

Veronika Vogler, long-time mindfulness facilitator and co-founder, remarks, “At Bardo, we encourage you to take time and be present with the tea you are drinking,” she shares.

 

“As the leaves unfold, you go on a journey. You sit with the clay pot, the boiling water, the tea leaves, and you recognize that it all communicates. The flavor of tea deepens with every pour, and over time it unlocks that language.”

 

Vogler has integrated tea with meditation for the last decade, focusing on tasting teas mindfully over the course of multiple steeps.

 

About Bardo Tea:

Bardo Tea is a Portland-based retail and wholesale tea supplier. Offering a wide variety of high-quality teas and teaware, Bardo weaves the story that connects the soil to the farmer, the tea, and the cup. Bardo Tea commits to working toward equal representation by supporting women’s roles in tea beyond the picking of the leaf by actively building relationships with female tea farmers and supporting them as tea growers.

 

Learn more about Bardo Tea

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RevenueCat survey nearly 30K mobile subscription apps, finds that only 17.2% of them to reach $1K in monthly revenue and only 3.5% will get to $10K  

Investors know that most startups fail, but something that may be less understood is how few mobile apps actually make money.

 

Sarah Perez / TechCrunch:

 

 

—  According to a new analysis of the subscription app economy from mobile subscription toolkit provider RevenueCat, the top 5% of apps generate 200 times the revenue of the bottom quartile after their first year, while the median monthly revenue an app generates after 12 months is less than $50 USD.

— Image Credits: TechCrunch

 

The “State of Subscription Apps” report offers a bird’s-eye view into the subscription app universe, as RevenueCat has nearly 30,000 apps using its platform’s tools to manage their monetization. Outside of Apple and Google, that makes RevenueCat the largest collection of subscription app developers on one platform.

 

This report specifically looks at data from over 29,000 apps and over 18,000 developers who collectively generate over $6.7 billion in tracked revenue and have over 290 million subscribers.

 

After crunching its data, the company found that only 17.2% of apps will reach even $1,000 in monthly revenue, but after they hit that point, the odds of them growing further increase. For instance, 59% of the apps that reach $1,000 will go on to reach $2,500 and 60% of the apps that reach $2,500 will make it to $5,000. But what may be more surprising is that only 3.5% of apps will reach $10,000 in revenue — the figure that an indie developer may need to hit in order to devote themselves full-time to app development or their mobile-first startup.

 

There are some differences in apps’ success when you narrow things to the category level, however.

 

Health and fitness apps generate more revenue after a year, performing at least twice as well as all the other categories combined, both at the bottom quartile and in the top 5%. Travel and productivity apps struggle the most, with even the top 5% of apps in the category making less than $1,000 per month after a year’s time on the app stores.

 

While it’s perhaps not as surprising that many apps don’t make money, given how many are launched as side projects, seeing the actual monetization figures could be a shock to those who think they have what it takes to beat the odds.

 

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— Techmeme

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Mercer County to celebrate its 12th-Annual Cultural Festival & Food Truck Rally in June

TRENTON, N.J. — In celebration of Mercer County diversity, County Executive Dan Benson, the Board of County Commissioners, and the Division of Culture and Heritage present the 12th Annual Cultural Festival & Food Truck Rally on Saturday, June 8, at Mercer County Park in West Windsor, N.J.

Mercer County’s 12 municipalities are home to citizens of many ethnicities and countries of origin. Therefore, the county welcomes food trucks and craft vendors to apply for participation in this festival.

The festival, will be held from 11 a.m. to 7 p.m., celebrating diverse cultures through live music and traditional dance performances, authentic food trucks, a beer garden, art demonstrations, heritage crafters, activities for children, and more.

Those who want to participate in this year’s Cultural Festival as either a craft vendor (selling cultural/heritage-related goods) or as a food truck/vendor, should fill out the online form below by April 1, 2024.

Given the growing success of the annual Cultural Festival, The Division of Culture & Heritage has put a cap on the number of craft and food vendors able to participate.

The program management will review all the submitted applications to ensure this year’s Cultural Festival is as diverse as possible, in order to determine this year’s food truck and craft vendor festival line-up. Those who are selected to participate will be notified by April 8, 2024. Payment will be processed after the line-up is determined.

Click the following link to apply:

For more information, please call the Mercer County Division of Culture & Heritage at

(609) 278-2712 or e-mail culturalfestival@mercercounty.org.

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Mercer County Clerk to hold another passport event in West Windsor

The Mercer County Clerk’s Office is very excited to co-host yet another passport outreach event in West Windsor Township with Congresswoman Bonnie Watson Coleman. The event will be held on Wednesday, March 27 from 1 p.m. to  6 p.m.

 

Please join us if you need a passport or passport renewal.

 

Note that appointments are on a first come first serve basis and will fill up fast!

 

For more information visit the Mercer County Clerk’s website Passports | Mercer County, NJ

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Donatella Versace and Dwyane Wade host L.A. LGBT Center event, designer gets stuck in elevator: ‘One of her security ripped open the doors’

Talk about a fashion emergency. Donatella Versace got stuck in an elevator at the Los Angeles LGBT Center on Friday night on her way to co-host an event for the organization with Dwyane Wade.

 

Staffers at the center immediately called the fire department, but sources say the fashion designer’s security took care of things.

 

“One of her security ripped open the doors,” an onlooker said.

 

Fortunately, the mishap didn’t stop the event from continuing.

 

Not only was it announced that Versace donated $50,000 to the center, but she was also named its first global ambassador.

 

“I feel so honored to be here tonight,” Versace said, after being introduced by Wade, adding, “It’s so emotional for me — but also because I was stuck in the elevator. I thought I was never going to make it to this roof, but I did. But it’s an honor to be here. But please, donate and vote.”

 

Wade also announced that his family – wife Gabrielle Union and daughter Zaya Wade joined him at the party – was donating $50,000. A few minutes later, Tinder CEO Faye Iosotaluno revealed that the dating app also was giving $50,000 to the center.

 

 

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— Variety

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Digital Marilyn, an interactive AI avatar of Marilyn Monroe, recently unveils at SXSW 

Digital Marilyn Monroe was created using GPT-3.5 by Soul Machines and Authentic Brands Group

 

Bruce Haring / Deadline:

 

 

—  One of Marilyn Monroe’s most famous quotes was, “I don’t mind living in a man’s world as long as I can be a woman in it.”

 

— Soul Machines Unveil Groundbreaking Digital Marilyn Monroe at SXSW 2024Soul Machines        

Now, there has to be an amendment to that line. More than 60 years after her death, there’s now a Digital Marilyn, created with artificial intelligence and capable of answering questions in her voice and style. The new version of Monroe debuted Friday at the South by Southwest tech conference in Austin, Texas.

 

The Digital Marilyn is a partnership between Soul Machines, which creates what it calls Biological AI-powered Digital People, and Authentic Brands Group, a company representing such icons as Monroe, Elvis Presley, Muhammad Ali, Shaquille O’Neal, David Beckham, and many other celebrities and companies.

 

The Digital Marilyn can interact in real-time using advanced natural language processing, deep learning, and Open AI’s ChatGPT 3.5. What that means is another step forward in extending the ability to monetize celebrities even after their death.

 

“This collaboration exemplifies the transformative power of AI in connecting brands and consumers,” said Greg Cross, CEO and co-founder of Soul Machines. “Digital Marilyn showcases our Biological AI, bringing an iconic personality to life through engaging dialogues and emotional intelligence. It’s more than nostalgia. It’s a glimpse into the future of immersive interactions.”

 

The Digital Marilyn mimics human traits in a realistic fashion, and can interact with users on a personal level. The partnership claims the average conversation length with a Soul Machines Digital Person is 20 minutes, with the character allegedly adapting to your questions and interests.

 

“Marilyn Monroe remains a timeless icon, inspiring generations with her talent, charisma, and enduring legacy,” said Dana Carpenter, EVP Entertainment at Authentic Brands Group.

 

“We are thrilled to partner with Soul Machines, whose cutting-edge technology is the perfect match to bring Marilyn to life in the AI age. While Marilyn Monroe can never be replaced or duplicated, Digital Marilyn opens exciting possibilities for multiple generations of fans to engage with her in a whole new way, fostering a deeper connection and appreciation for her enduring spirit and the mark she left on the world.”

 

 

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— Techmeme

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‘3 Body Problem’ on Netflix cements ‘Game of Thrones’ creators as masters of adapting the unadaptable: TV Review

Before a rushed ending soured the “Game of Thrones” fanbase on show runners David Benioff and D.B. Weiss, the duo had rightfully earned acclaim for wrangling a seemingly unadaptable series of books into a damn good adaptation.

 

Author and screenwriter George R.R. Martin had written “A Song of Ice and Fire” as a partial response to the strictures of TV, crafting a story with the sprawling ensemble, major battles, sex, violence and abrupt demises he couldn’t work into scripts for the likes of NBC and CBS.

 

The book series kicked off in 1996, just a few years before the rise of premium cable culture drivers would make television more friendly to artistic ambition and less subject to the FCC. Aided by a stellar cast and strong support from HBO, Benioff and Weiss nonetheless did exceptional work translating Martin’s vision into a nuanced drama with a deep bench of antiheroes and competing points of view. Before “Game of Thrones” was a juggernaut and, eventually, a disappointment, it was a smart, considered, and palpably affectionate take on its source material.

 

For their next big swing, the producers have teamed up with “True Blood” alumnus Alexander Woo to take on an even steeper challenge. The Chinese science fiction trilogy “Remembrance of Earth’s Past” spans hundreds of years, mostly unconnected characters and several multi-page exegeses on the ABCs of particle physics. To turn writer Cixin Liu’s creation into a Netflix series, the team would have to do more than marshal resources or re-earn the trust of those burnt by how “Game of Thrones” limped across the finish line. This adaptation demands re-conceiving large chunks of plot from the ground-up while retaining Liu’s themes, not to mention visualizing concepts with less precedent onscreen than the fantasy tropes Martin deployed and subverted. The result shows some of the strain of this Herculean task, but also proves the early seasons of “Thrones” were neither a fluke nor a testament to Martin alone. Benioff and Weiss remain master adaptors, and together with Woo, they’ve opened an accessible entry point into a deeply esoteric story while rendering the action in a suitably epic scope.

 

“The Three Body Problem” and “3 Body Problem” — the title of Liu’s first volume altered enough to differentiate book from show, though not enough to avoid confusion — start in the same time and place. As the Cultural Revolution tears through China, young scientist Ye Wenjie (Zine Tseng) watches a mob beat her father to death in an anti-intellectual frenzy. The scene sets up one of the saga’s most powerful ideas: that a brilliant mind could grow so disillusioned with humankind they might turn their allegiance elsewhere, convinced our species is beyond hope of guiding its own destiny.

 

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— Variety

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More than 100 scientists sign agreement to prevent their AI-aided research that designs new proteins from enhancing the development of  bioweapons 

—  An agreement by more than 90 said, however, that artificial intelligence’s benefit to the field of biology would exceed any potential harm.

 

 

Cade Metz / New York Times:

 

 

Dario Amodei, chief executive of the high-profile A.I. start-up Anthropic, told Congress last year that new A.I. technology could soon help unskilled but malevolent people create large-scale biological attacks, such as the release of viruses or toxic substances that cause widespread disease and death.

 

— Researchers are trying to tamp down fears of A.I.-created bioweapons. Credit: Kenny Holston/The New York Times

Senators from both parties were alarmed, while A.I. researchers in industry and academia debated how serious the threat might be.

 

Now, over 90 biologists and other scientists who specialize in A.I. technologies used to design new proteins — the microscopic mechanisms that drive all creations in biology — have signed an agreement that seeks to ensure that their A.I.-aided research will move forward without exposing the world to serious harm.

 

The biologists, who include the Nobel laureate Frances Arnold and represent labs in the United States and other countries, also argued that the latest technologies would have far more benefits than negatives, including new vaccines and medicines.

 

“As scientists engaged in this work, we believe the benefits of current A.I. technologies for protein design far outweigh the potential for harm, and we would like to ensure our research remains beneficial for all going forward,” the agreement reads.

 

The agreement does not seek to suppress the development or distribution of A.I. technologies. Instead, the biologists aim to regulate the use of equipment needed to manufacture new genetic material.

 

This DNA manufacturing equipment is ultimately what allows for the development of bioweapons, said David Baker, the director of the Institute for Protein Design at the University of Washington, who helped shepherd the agreement.

 

“Protein design is just the first step in making synthetic proteins,” he said in an interview. “You then have to actually synthesize DNA and move the design from the computer into the real world — and that is the appropriate place to regulate.”

— David Baker of the University of Washington said regulation should focus on the physical tools that would be needed to create a bioweapon. Credit: Evan McGlinn for The New York Times

 

The agreement is one of many efforts to weigh the risks of A.I. against the possible benefits. As some experts warn that A.I. technologies can help spread disinformation, replace jobs at an unusual rate and perhaps even destroy humanity, tech companies, academic labs, regulators and lawmakers are struggling to understand these risks and find ways of addressing them.

 

Dr. Amodei’s company, Anthropic, builds large language models, or L.L.M.s, the new kind of technology that drives online chatbots. When he testified before Congress, he argued that the technology could soon help attackers build new bioweapons.

But he acknowledged that this was not possible today. Anthropic had recently conducted a detailed study showing that if someone were trying to acquire or design biological weapons, L.L.M.s were marginally more useful than an ordinary internet search engine.

 

Dr. Amodei and others worry that as companies improve L.L.M.s and combine them with other technologies, a serious threat will arise. He told Congress that this was only two to three years away.

 

 

 

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— Techmeme

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‘Variety’ promotes Dayna Wolpa to VP of Talent and Programming

Variety has promoted Dayna Wolpa to the newly created role of VP of Talent and Programming.

 

Wolpa is an Emmy-winning producer who previously served as Variety‘s managing director for programming and distribution. With her promotion, Wolpa will manage talent and programming for such successful Variety franchises as Power of Women, Power of Young Hollywood, Hitmakers, and more.

 

Wolpa at present oversees all talent programming for Variety studios at the Sundance Film Festival and Toronto International Film Festival. Wolpa, who has been with Variety for more than 10 years, has booked talent for numerous events and partnerships including the Women of Reality TV Dinner, 10 Directors to Watch & Creative Impact Awards, the Variety/Chanel Female Filmmakers Dinner, the Variety/Golden Globes Breakthrough Artists Awards, Business of Broadway and Variety‘s Power of Comedy awards, set for its second annual outing at SXSW on March 8.

“Dayna Wolpa has a well-deserved reputation as someone who can problem solve and get things done,” said Dea Lawrence, Chief Operating and Marketing Officer of Variety. “She takes on challenges in a thoughtful, creative manner with a precise eye for detail, characteristics that make her an outstanding executive.”

 

Wolpa has served for years as Associate Producer of Variety‘s Emmy-winning “Actors on Actors” interview series franchise. In December, Wolpa won a Daytime Emmy for her work on the Variety-branded special “Power of Women: The Changemakers” for Lifetime. Wolpa also curates the coveted Power of Women gift bag and oversees all Variety guest lists for the exclusive events.

 

“I am grateful to have spent the last 10 years at Variety,” said Wolpa. “I look forward to continuing to collaborate with the best team in the business and am excited to be a part of Variety‘s ongoing expansion.”

 

She reports to Lawrence and will continue to be based out of the Los Angeles office.

 

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— Variety