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‘Priscilla’ red carpet canceled and Hollywood screening venue changed

The red carpet for Sofia Coppola’s “Priscilla” premiere in L.A. on Oct. 9, has been canceled amid current world events, distributor A24 confirmed.

 

Furthermore, the venue for the screening has been changed because of a dispute between IATSE and the Hollywood Legion Theater, which is a part of the veterans’ organization American Legion.

 

A representative for the film released a statement about the red carpet saying, “Out of respect for the events going on in the world, we will be forgoing a red carpet for the ‘Priscilla’ Los Angeles Premiere.”

 

With escalating violence in Israel and Palestine, the “Priscilla” carpet is not the first to be canceled. The Academy Museum also decided to forgo the red carpet at the annual fundraising gala, which was scheduled for Saturday, before choosing to postpone the event altogether “out of respect for the devastating conflict and loss of life happening overseas.”

Regarding the location change for the “Priscilla” premiere, the projectionists’ union IATSE Local 11 started picketing the property Sept. 14. IATSE business representative Ronald R. Valentine told the Hollywood Reporter, which first reported the dispute, “American Legion Post 43 has committed multiple unfair labor practices, most significantly reneging on an agreement reached in April 2023 for a new collective bargaining agreement and misrepresenting the terms of that agreement to its membership.” Valentine continued, “As a result, IATSE Local 33 had no choice but to call a strike.”

 

With the changing of venues, Valentine said that Local 33 thanks distributor A24 and the team behind “Priscilla” “for their solidarity.”

 

Amid the ongoing SAG-AFTRA strike, “Priscilla” has been granted an interim agreement allowing its stars to walk the carpet, including Cailee Spaeny and Jacob Elordi who play Priscilla and Elvis Presley. Coppola was also slated to appear on the carpet.

 

“Priscilla” first premiered at the Venice Film Festival in September to critical acclaim. The new venue for the screening has yet to be announced.

 

 

Variety

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Art & Life Culture Lifestyle

‘The Fall of the House of Usher:’ Where to buy Edgar Allen Poe’s original short story adapted for Netflix

“The Fall of the House of Usher” is Netflix’s buzziest new release this month, so it makes sense that the Edgar Allan Poe short story it’s based off of is also having a moment.

 

The book, which was published in 1839, is trending on Google following the inspired series’ debut on Thursday night. Donning the same title, the horror series follows sibling duo Roderick (Bruce Greenwood) and Madeline Usher (Mary McDonnell), who are at the front of their Fortunato Pharmaceuticals empire. Together, the Ushers have established an empire of wealth, privilege and power — but at a cost.

 

The family’s dark, shady past seemingly comes to light as heirs from the dynasty begin dying at the hands of a mysterious woman from their youth. The first trailer gave audiences a glimpse at the gruesome killings to come, at the hands of a haunting woman who shares grievances with the family from events in their younger years.

 

Poe’s short story was first published in 1839 in “Burton’s Gentleman’s Magazine,” then included in the collection “Tales of the Grotesque and Arabesque” in 1840. It is considered a work of Gothic fiction, with themes of madness, family, isolation, and metaphysical identities, which are also likely to be themes in the new series.

 

In her reviewVariety TV critic Aramide Tinubu writes that that Netflix show is “a stunning use of Poe’s work as the Cliffs Notes to his own majestic, intricate brand of storytelling” and “showcases what the 1% is willing to sacrifice to remain in high places.”

 

 

Variety

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Art & Life Culture Lifestyle Regulations & Security

Paul Telegdy’s The Whole Spiel and Red Bull’s Terra Mater Studios developing ‘Tarzan’ and other drama series

The Whole Spiel — the new company co-founded by former NBC Entertainment chairman Paul Telegdy — and Red Bull’s Terra Mater Studios have teamed up to develop a slate of drama series.

 

The projects include a reimagined “Tarzan” series, wildlife crime investigation “Rogue,” geopolitical drama “A New King” and true history drama “The Executioner.”

 

In collaboration with Shingle Media and Friendly Fire, the “Tarzan” series will reimagine Edgar Rice Burroughs’ iconic hero for a new generation. The plot will follow Tarzan and Jane defending their home against fortune hunters who come to Africa.

 

“Rogue,” created and written by National Geographic Explorer Derek Joubert, is a thriller series set in the underground world of illegal wildlife trading. It will follow a multi-billion-dollar global conspiracy in the heart of Africa that shatters lives while fueling the narcotics trade, arms dealing and terrorism. The series will be co-produced with Joubert’s Wildlife Films.

 

Set inside a wealthy aristocratic family, “A New King” follows a young couple who is thrown into an unexpected spotlight, facing enemies both inside and outside the palace as they attempt to use their new powers to save their lives and the planet.

 

“The Executioner” tells the tale of Nuremberg henchman Franz Schmidt and the diary he kept of the 350-plus people he tortured and executed. Set in medieval Germany, Franz and his wife struggle to survive at the bottom of society to free their children from their hereditary duty to be professional killers.

 

The Whole Spiel is an entertainment startup founded by Paul Telegdy and Stefan Telegdy, while Terra Mater Studios is a subsidiary of Red Bull.

 

 

Variety (EXCLUSIVE)

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Business Economics Lifestyle Technology

Best noise-cancelling earbuds: Here’s where to get Bose, Sony, Apple, Samsung and more online

While noise-cancelling headphones are great, noise-cancelling wireless earbuds may have the upper hand when it comes to being more compact and lightweight. If you consider yourself an active person, then a good pair of noise-cancelling earbuds might be better for you, so you don’t have a clunky pair of headphones getting in your way.

 

If you’re looking for some peace and quiet when working from home, during your daily commute or just working out at the gym, then you’ll want to take a look our roundup of the best noise-cancelling earbuds for all sorts of different users from top brands, like SonyAppleBose, Samsung and much more.

 

We considered audio quality, battery life, design and use cases to find what works best at a wide range of prices.

 

Best for most people

Sony WF-1000XM5 Wireless Earbuds

— Amazon

 

 

The Sony WF-1000XM5 Wireless Earbuds are the best for most people, thanks to their excellent audio, premium noise-cancellation settings and overall comfortable and secure in-ear fit. These earbuds connect to just about any mobile device or laptop via Bluetooth, while their long battery life of up to 24 hours of use with their included wireless charging case makes listening to your favorite music and podcasts a joy.

 

$278$299.997% Off

BUY NOW ON AMAZON

Best budget

Jabra Elite

— Amazon

 

 

If you’re on a budget, then the Jabra Elite 3 are for you. Not only do these earbuds feature fantastic audio, a sleek design and smart noise-cancellation, but their also very affordable at just $50 for the standard dark gray model. These earbuds also have an impressive battery life of up to 28 hours with their charging case.

 

Best for noise-cancelling

Bose QuietComfort Ultra Wireless Earbuds

— Amazon

 

 

Want complete peace and quiet? The Bose QuietComfort Ultra Wireless Earbuds feature the audio company’s “CustomTune” technology that analyzes your ears and adapts sound on-the-fly, while these buds offer you active noise-cancellation with premium audio — in which Bose is known. This means your listening experience is custom made just for you.

 

The Beats Fit Pro are sweat and water resistant, so they’re ideal for working out at the gym or going for a long run in the park. The earbuds feature a flexible and secure wingtip design that’s comfortable, while they keep the buds stable in your ears. And since they’re from Beats by Dre, the Fit Pro buds have high quality audio that’s clear and rich with deep and thumping bass.

 

 

Read more here:

https://variety.com/2023/shopping/news/best-noise-cancelling-earbuds-buy-online-1235755332/

 

 

Variety

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Art & Life Culture Government Lifestyle

JFK limited series in development at Netflix from ‘Killers of the Flower Moon’ co-writer Eric Roth, Chernin Entertainment

Netflix is developing a limited series based on the life of U.S. President John F. Kennedy, Variety has learned exclusively from sources.

 

The series will be based on the critically acclaimed book “JFK: Coming Of Age In The American Century, 1917-1956” by Fredrik Logevall. The book, originally published in 2020, is the first part of a planned two-volume biography of Kennedy. Part one examines his life from his birth up to his time as the junior U.S. Senators from Massachusetts.

 

Eric Roth is attached to write and executive produce the project. Peter Chernin and Jenno Topping of Chernin Entertainment will also executive produce. The search is currently on for a showrunner.

 

Reps for Netflix did not immediately respond to request for comment.

 

According to sources, Netflix sees the series as something like an American version of “The Crown,” their highly successful show about Queen Elizabeth II and the British royal family, given the highly influential history of the Kennedy family in America. Whether that means the show would follow the same pattern as “The Crown” — in which different actors come in every two seasons to play the main characters as they age — is unclear at this time.

 

Roth is a highly successful film writer. He won the Academy Award for best adapted screenplay for “Forrest Gump” in 1995. He has been nominated for six more Academy Awards since, including for his work on films like “Munich,” Bradley Cooper’s “A Star Is Born,” and most recently “Dune.” He is also one of the credited writers on Martin Scorsese’s upcoming film “Killers of the Flower Moon.” His other writing credits include “Ali,” “The Good Shepherd,” and “The Curious Case of Benjamin Button,” the last of which also earned him an Oscar nomination.

 

He is repped by CAA, Lenore Entertainment Group, and Jackoway Austen Tyerman.

 

Chernin Entertainment’s current TV slate includes shows like “P-Valley” at Starz, which has been renewed for a third season, and the upcoming epic “Chief of War” at Apple TV+ starring Jason Momoa. The company also recently co-produced the film “Luther: The Fallen Sun” starring Idris Elba, with Elba reprising the role of Detective Chief Inspector John Luther, and “Dicks: The Musical.”

 

Chernin Entertainment is repped by WME.

 

 

Variety (EXCLUSIVE)

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Art & Life Culture Lifestyle

‘Divinity’ star Stephen Dorff discusses his Elon Musk-esque character and transforming into a monster that looks like a penis

SPOILER ALERT: This article contains spoilers for “Divinity,” which releases in New York on Friday, Los Angeles on Oct. 20 and goes wide on Nov. 3.

 

In his latest movie “Divinity,” Stephen Dorff’s character is introduced with an extended sex scene and ends the film transformed into a monstrous, muscular creature with a “mushroom cloud” head that looks suspiciously like a penis. It’s not your average sci-fi movie, to say the least.

 

“Divinity” is a black-and-white, out-of-this-world indie, written and directed by Eddie Alcazar, that premiered at this year’s Sundance Film Festival and received a SAG-AFTRA interim agreement ahead of its wide release. Dorff plays Jaxxon Pierce, the son of a scientist who invented a magical drug attempting to grant immortality. Years later, Jaxxon has taken control of his father’s company and corrupted his father’s original dream. The drug, called Divinity, grants its users youth and beauty, but it causes their minds to deteriorate and renders them infertile. Jaxxon and this alternate world, which have shades of “Eraserhead” and “Tesuo: The Iron Man,” have grown twisted and perverse over time.

 

Two brothers, played by Moises Arias and Jason Genao, arrive from the stars to heal this world, kidnapping Jaxxon in the process and pumping him full of Divinity. The constant drip of the drug drives Jaxxon mad, and he slowly becomes less of a human and more of a mindless monstrosity. By the end of the movie, Jaxxon, now a lumbering, massive creature played by bodybuilder Michael O’Hearn, battles the brothers to the death in a stop-motion fight scene straight out of “Street Fighter.”

 

Dorff’s list of credits includes Marvel’s “Blade,” “Public Enemies,” John Waters’ “Cecil B. Demented,” TV shows like “True Detective,” “The Righteous Gemstones” and many more. But “Divinity” may be one of his most physically challenging roles. To play Jaxxon as a human, he had to pitch his voice up higher — not to mention be shirtless, tied up or essentially naked in most of his scenes.

 

Dorff discussed the long prosthetics process to play Jaxxon with Variety, as well as the surprising influence of Elon Musk (who gets a special thanks in the credits) and his plans for directing.

 

How did you first get involved with “Divinity”?

I’d seen Eddie’s short film, called “The Vandal,” and what he did with puppetry and effects. That went down pretty good at Cannes. I knew that Soderbergh and Darren Aronofsky and all these cool filmmakers really believed in him. After I’d seen his short, I was like, “Yeah, I’ll do something,” and then it was a question of what we were gonna do. He knew Soderbergh was gonna back him on this feature, but he didn’t know what feature. So it kind of was one thing that became this son of this scientist that started sounding kind of more sci fi. I just kind of let Eddie create it, and then it came time when there was a window to shoot it in Joshua Tree where the house was and we went on this fuckin’ crazy adventure.

 

Jaxxon is this nerdy scientist who transforms into a monstrosity. What drew you to the character?

Eddie is kind of a very unorthodox director, which, the kind of actor I am, can make you a little crazy. But I believed in him so much that I was willing to go there. I knew prosthetics were involved. I knew he was gonna go through these stages. Eddie wanted me to speak really high and talk up here, then he wanted me to be in spandex, naked, then basically mutilated and tortured. It was heavy for the short shoot. Very different than anything I’ve done. Eddie wanted him to have this Asperger’s feel. He would send me a lot of videos of Elon Musk and some of these odd, techie guys, these chats and interviews that go on forever where they’re talking about things I didn’t understand. I was watching their movements, what are these people like when they go home with all this money and knowledge? They’re kind of on a different level, but they’re in their own brain.

 

What was the prosthetic process like? How long did it take to play Jaxxon as he transformed?

That first stage is quite subtle. It’s really just the left side of my forehead protruding. The lesser amount of makeup took maybe a couple hours because then we have to cover my tattoos and do a bald cap. The big one was four and a half hours, where I couldn’t see out of my left eye while walking. They had to take me physically into set in that chair. It was just quite a frustrating performance, because there’s not much I can do besides be in these ropes. If I have to go to the bathroom, it takes a while to unrope me. I smoke, so it’s a whole fuckin’ thing to get me out. Fifty pounds of prosthetics, it’s a good way to quit smoking. Prosthetics, this movie — thanks, Eddie.

 

By the end, Jaxxon turns into this buff monster whose head looks pretty similar to a penis. Was that intentional?

I don’t really know. It kind of becomes this mushroom cloud. That guy at the end isn’t me. It’s a bodybuilder, Mike O’Hearn. He was really cool. My voice is there, but the ADR was really complicated because they wanted unique sounds. I had water in my mouth in the looping stage. I had this pump and I could gargle with this water and get this wet sound. It was really weird. I felt bad for that sound booth because it was all soaking wet at the end of it.

 

Are you drawn to these indie roles over more commercial projects?

There’s really no rule in my career, I don’t really follow any rules. When agents have told me in the past, “Oh, you should do this movie. It’s a big studio movie. That’s a John Waters movie, it’s gonna to be another indie.” Well, no, I’d rather work with John Waters than do this crappy movie that was a studio movie at the time. So I did the John Waters movie, and it was very successful and we had a standing ovation at Cannes and I got rid of those agents. I don’t really think that if I do a big movie, I have to do 10 more big movies right after. I feel like we do a big one and then I should do an intimate one. And then, “Oh wow, they want me to do ‘True Detective.’” That’s one of the best shows I’ve ever seen on TV since “The Sopranos.” Yeah, sure, I’ll do “True Detective.” “What’s this? ‘The Righteous Gemstones’ and Danny McBride?” He’s the funniest guy out there and wants me to give me my first comedy. Fuck yeah. I kind of organically feel it out.

 

Do you see yourself directing at some point in your career?

I’ve always said I would direct when I got into my 50s and I just turned 50 in July. It’s something I’ll do for sure. I think my first film will be more of a personal film that’s maybe simplified and really about performance and music and the elements. Not something that’s a concept. I’m not going to direct a video game movie or if some studio wanted me to direct a huge commercial film. I don’t think I would do that first, not to say that I wouldn’t want to do a big film after. Give it a few years, maybe when I’m 53 or 54 and see where we’re at.

 

 

Variety

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Art & Life Business Culture Lifestyle

Writer references 8 ways leaders undermine their own influence

Influence is one of those underrated business skills that often separates successful leaders from non-successful leaders, but it’s not a skill you can learn in school. Influence is the ability to transform or change the opinion of others. So, what does it look like to build influence and become an influential leader?

There are eight lessons you must learn as, not doing them, will undermine your full leadership potential and result in opportunity loss:

1. Not taking radical responsibility 
When you’re a leader in a business, it’s crucial that you hold yourself accountable for the success of that business and strive to take responsibility for as much as you can. Your employees are doing a job that has been outlined by you and your leadership team, and if they aren’t succeeding in that role, responsibility from leadership is the only way performance can improve.  Now, I’m not saying you should own every single thing that may go wrong in your business — it’s more about recognizing the unique role you play in the organization and how your reception of problems affects your team. Never place blame on others if the responsibility is truly yours to fix an issue or respond to a challenge. Instead, acknowledge responsibility and lean on your team to execute the response.

 

2. Not learning all communication styles
Every person communicates in different ways, and every person on your team may not communicate in the same way that you do, which can lead to butting heads and unclear expectations. This is why it’s crucial to not only learn how to engage with various communication styles but speak those communication styles, too. When you can effectively communicate with every member of your team, you’ll be able to influence team-wide actions that will have a lasting impact on your business.

 

3. Not practicing positive reinforcement
The carrot-vs-stick mentality is, in my opinion, not effective for a growing business. Instead, all business leaders should lean into positive reinforcement to support their team and organization. By positively enforcing behavior or actions you want to see from your team, you’re presenting yourself as a positive leader who appreciates your team and recognizes hard work. This perception will ultimately lead to employees seeking out that positive reinforcement and repeating it down the line, increasing your influence.

 

4. Not being very intentional about every meeting
Death by meeting is alive, even as many businesses have moved to a remote or hybrid workforce. In fact, the remote and hybrid structure of teams may be increasing the number of meetings managers and leaders are holding in order to make up for lost in-person engagement. But, excessive meetings are preventing employees from doing their jobs effectively, and taking away valuable work time can contribute to feelings of frustration.  If you’re a meeting enthusiast, make sure you’re being incredibly intentional about meetings — who really needs to attend that meeting, what’s the shortest amount of time needed to complete your agenda items, and will this meeting take away from other important projects in progress at that time? Your employees will be thankful for the intentionality and will be more engaged in those shorter, less frequent meetings.

 

5. Not employing a variety of perspective
Putting yourself in the shoes of others is a lesson you probably learned in childhood, but many adults lose sight of this important lesson as they develop opinions throughout their lives.  Having strong opinions is probably one of the most important qualities of a successful leader, but forcing those opinions on others or not understanding all angles before forming opinions is a potentially large pitfall. By taking the time to understand different perspectives on an issue or topic before taking a stance is an easy way to gain respect from your employees and build your influence. This shows them that your strong opinion is well-informed and that you’re open to different opinions. Even if your employees don’t agree, they will respect you nonetheless.

 

6. Not reframing your beliefs
Your beliefs should be one of the guiding principles of your business, but not everyone will automatically buy into your beliefs and direction right away. It takes time — and significant influence — to build that engagement with your employees. One way you can get your employees to adopt your beliefs as it relates to the business is to reframe them and meet your employees where they are. Now, this doesn’t mean completely changing  your beliefs for your employees — it means adjusting the delivery of beliefs. Reframing without losing sight of the core belief can be tricky, though, so as you’re looking for new ways to present your ideas, keep those central beliefs at the center and simply adjust the contextual information or how that information is presented.  A successful and influential leader will be able to adjust the communication of their beliefs to guide their colleagues or team and gain their support.

 

7. Not understanding that everything you say matters

When you’re in a leadership role, your employees, colleagues, and peers are constantly listening to and observing you, so everything you say really matters. Even a small comment can be perceived in several different ways by your employees, so it’s important to truly think before you speak and consider how a comment may be received by others. If people are listening and interpreting everything you say, it should be pretty obvious that you have influence, but if you abuse that power, respect and influence will decline, and employees won’t take you seriously.

8. Not avoiding perfectionism

A common misconception among new business leaders and owners is that they must strive for perfection. Perfect business plan, perfect teams, perfect products, and more. But, constantly looking toward perfection can make it harder to pivot or adjust when needed, and there will always — and I mean always — be something to improve.  I often tell business owners to not only not strive for perfection but to avoid it actively. This doesn’t mean completely neglecting your business, team, or product, but if there is growth and improvement, perfection doesn’t really matter. If you prioritize perfection yourself, that will trickle down to employees and create some potentially negative emotions about their jobs and their experience working for you. Leading by example is key, and aiming to be imperfect is a great way to show your employees that it’s okay to test, try, make mistakes, and learn.

The most important lessons in business can’t be learned in school
I’ve said it before, and I’ll say it again: you don’t need to be the most highly-educated person in a room to be successful, and most of the lessons you’ll learn in business simply can’t and won’t be taught in a classroom. When it comes to influence, the development of this essential trait comes in all shapes and sizes, and variables like your team, your company, and your personality come into play significantly.  It takes time to build influence, but with some small adjustments to how you lead and interact with your colleagues, you can steer the ship with ease. 

 

About Brandon Dawson

Amid a $151 million exit from a business he founded with just $500K (and no outside capital or debt) and with over 130 acquisitions—and billions in value creation—to his name, Brandon Dawson is no ordinary Business Strategist. Today this esteemed business icon, sought-after lecturer, expert scaler and CEO advisor on entrepreneurship, leadership and business-building tactics is hell-bent on creating value for small to medium-sized companies operating in tumultuous industries or weathering storms … and achieve their loftiest goals despite.

 

With the release of his new book, “Nine-Figure Mindset: How to Go from Zero to Over $100 Million in Net Worth ” and with approximately 1 million ambition-minded followers across social platforms, Brandon is now helping executives worldwide achieve their personal, professional and financial goals beyond their wildest dreams. Drawing from his own unlikely and awe-inspiring journey, Nine-Figure Mindset combines his personal experiences with a wealth of wisdom and actionable strategies while also serving as a guidebook to next level achievements you’ve never imagined were possible. The book is a masterclass on success, aspiration and the transformative power of mindset.

 

Brandon sold his last business, Audigy Group, in 2016, which he bootstrapped and exited for $151 million—77x EBITA. Brandon worked with the public company who acquired Audigy Group and helped them grow from $18 a share to $94 a share within thirty-six months, adding $3.5 billion in market value.

 

Prior to Audigy, he was the chairman, founder, and CEO of Sonus which was a Warburg Pincus backed consolidation company. Dawson listed Sonus on the American Stock Exchange at just twenty-nine years old, making him one of the youngest to ring the opening bell.

 

Today, combining Dawson’s IP with Grant Cardone’s 10X mindset and his massive loyal community, they teamed up to co-found Cardone Ventures where Dawson serves as CEO and managing partner. This new venture has gone from zero employees to over 250 in forty-eight months, with the business being valued in excess of five hundred million dollars.

 

Dawson, a true visionary, has taken his public company experience, with over 130 acquisitions, and $500 million raised in various transactions and billions in value creation to now helping small to medium sized business owners across the world achieve their personal, professional, and financial goals through the growth of their businesses.

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Culture Lifestyle Perspectives Regulations & Security Science Technology

A California judge allows a group of lawsuits against Meta and others alleging social media is addictive for children to proceed based on a negligence claim

—  California state judge allows negligence claim to proceed

— Judge dismisses seven other claims filed by kids and parents

 

Joel Rosenblatt / Bloomberg:

 

 

Minors and parents suing Meta Inc.’s Facebook and other technology giants for the kids’ social media platform addictions won an important ruling advancing their collection of lawsuits in a California court.

A state judge on Friday threw out most of the claims but said she’ll allow the lawsuits to advance based on a claim that the companies were negligent – or knew that the design of their platforms would maximize minors’ use and prove harmful. The plaintiffs argue social media is designed to be addictive, causing depression, anxiety, self-harm, eating disorders and suicide.

More than 200 such suits filed across the country have been assigned to two judges in California — one in state court in Los Angeles and the other in federal court in Oakland. Judge Carolyn B. Kuhl’s ruling applies only to the cases in state court. Her decision is part of a larger battle in which statewide social media bans pit concerns about privacy and national security against personal freedoms and the use of wildly popular apps – especially among young users.

In the California case, lawyers representing minors cleared a legal hurdle that allows them to pursue a claim that Facebook, Instagram, Snap Inc., TikTok Inc. and Alphabet Inc.’s YouTube knew that the physical harms of social media were “foreseeable and substantial,” Kuhl wrote her the ruling.

The judge pointed to the “obvious inequality” between “unsophisticated minors” and the internet companies “who exercised total control over how their platforms functioned.”

Internet companies have long relied on Section 230 of the Communications Decency Act, a federal statute that has consistently shielded them from liability over comments, ads, pictures and videos on their platforms. Importantly, Kuhl ruled that laws protecting free speech and Section 230 don’t stop the negligence claim in the collection of California cases from going forward.

Kuhl ruled the social media companies could be held liable for the allegations because they are “based on the fact that the design features of the platforms — and not the specific content viewed by plaintiffs — caused plaintiffs’ harms.”

“This decision is an important step forward for the thousands of families we represent whose children have been permanently afflicted with debilitating mental health issues thanks to these social media giants,” lawyers for the plaintiffs said in a statement. “We are determined to use every legal tool at our disposal to hold these companies accountable for their actions and reach a just resolution.”

Google defended its practices in a statement Friday.

“Protecting kids across our platforms has always been core to our work,” José Castañeda, a Google spokesperson, said. “In collaboration with child development specialists, we have built age-appropriate experiences for kids and families on YouTube, and provide parents with robust controls. The allegations in these complaints are simply not true.”

The other companies didn’t immediately respond to requests for comment on the ruling but they too have defended their practices in the past. Antigone Davis, Meta’s Global Head of Safety, responded to one of the lawsuits in March saying the company wants teens to be safe online and offers more than 30 safety tools for kids and families, including supervision and age verification technology.

The judge also tossed out seven other claims in the lawsuit, including an argument that the companies should be held liable for the defective design of their platforms. The concept of product liability was “created in a different era to solve different problems,” Kuhl wrote. Social media present “new challenges” under the law, she said, because they’re not tangible. “One cannot reach out and touch them,” she said.

Lawyers representing minors in the similar collection of lawsuits filed in federal court also face a request by the companies to dismiss the litigation.

The case is Social Media Cases, 22STCV21355, Superior Court of the State of California, County of Los Angeles.

 

 

Techmeme

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D&R Greenway Land Trust announces return to the ‘Speakeasy’ at the upcoming Masquerade Ball

D&R Greenway Land Trust’s Masquerade Ball, featuring musicians and visual artists, will be held at Hillside Farm on the evening of Oct. 28, from 5:30 – 9:30 p.m.

 

The Masquerade Ball will celebrate the vision and legacy of the late Betty Wold Johnson, in whose honor her family donated the 800-acre Hillside Farm to D&R Greenway in 2021.

 

A fierce champion of conservation and decades-long partner with D&R Greenway for land preservation, Betty Wold Johnson spent forty years assembling the estate, which encompasses extraordinary expanses of farm fields, meadows and forests, as well as historic structures and a Revolutionary War encampment site. She lived at Hillside Farm, where she built a distinctive home that uniquely interprets the past using modern materials and amenities.

 

The addition of Hillside Farm to the long list of properties preserved by

D&R Greenway is just one more example of why I am proud to support their work.  This incredible property will be a tremendous asset for everyone in our community and I am thrilled it will be there, preserved and cared for, for future generations to enjoy.” 

                                                                             Daniel Motto, Trustee, D&R Greenway Land Trust

 

The theme of the Masquerade Ball is a return to the “speakeasy” culture of the 20s, 30s and 40s. A “secret” password will open the door to the private estate residence for registered guests. Libations and hors d’oeuvres will be served in the house and can be enjoyed in hidden nooks and crannies guests may discover. Scrumptious cheesecake desserts from Maddalena’s will top off the evening.

 

Live music from the era will keep the mood swinging and toes tapping throughout the evening. Bassist Justin Lee will lead a talented jazz trio with guitarist Raúl Abbad and singer Monika Ryan, a New York style classic jazz singer who recently released her fourteenth album, “Playfully.”  The local trio is a D&R Greenway community favorite; most recently they wowed the crowd at September’s Harvest Moon Ball at Point Breeze.

 

Adding to the beauty of the evening, four artist members of the Garden State Watercolor Society will collaborate throughout the evening to paint watercolor landscapes depicting Hillside Farm. Guests may bid on a painting to take home, a memorable piece of artwork created before their eyes during an unforgettable evening.

 

As the sun sets over the Hopewell hills, specially designed Art Deco-style lanterns will add a soft glow to the ambience of the evening, “lighting the way to preservation.” The lanterns will also be available as keepsakes to the highest bidders.

 

Guests are welcome to attend attired in fashions of the era, or to come as they are, all in the spirit of fun and romance. This is a perfect opportunity to gather friends to experience another era with a cool vibe, all the while supporting land preservation.

 

“This event will be as exciting and vibrant as the significant property where it is being hosted. Layered with history and preserved in perpetuity, Hillside Farm is the perfect place to relive the best parts of the past as we celebrate its important future.”                  

                                                                             Diana Moore, Trustee, D&R Greenway Land Trust  

 

 

Tickets to the event are available starting from $250 and can be purchased at www.drgreenway.org or by calling D&R Greenway at 609-924-4646. Proceeds support D&R Greenway’s work to preserve and care for land and provide public trails where people can benefit from being outdoors in nature. Guests at the Masquerade Ball will enjoy first time access to the private estate home, formerly owned by philanthropist Betty Wold Johnson and donated to D&R Greenway by her sons, owners of the Jets football team.

 

Proceeds from sponsorships and auction items will support D&R Greenway’s work to open Hillside Farm as a public preserve in the future. The property, most of which lies in Hopewell Township, is larger than Hopewell Borough. It is contiguous with two other D&R Greenway preserves (Cedar Ridge and Sourlands Ecosystem) and has sweeping views of D&R Greenway’s St. Michaels Farm Preserve across town.  It provides critical habitat for birds and other wildlife.  Altogether, D&R Greenway has protected over 3,000 acres of land in the immediate area. The Masquerade Ball is a sneak peek at the beginning of a preserve and an opportunity to support its creation, while celebrating the legacy of Betty Wold Johnson to preserve land and forge community.

 

Admission to the Masquerade Ball on October 28 is by advance ticket purchase by October 23 at www.drgreenway.org or by calling (609) 924-4646.

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About D&R Greenway Land Trust: D&R Greenway Land Trust is an accredited nonprofit that has reached a new milestone of over 22,000 acres of land preserved throughout central New Jersey since 1989. By protecting land in perpetuity and creating public trails, it gives everyone the opportunity to enjoy the great outdoors. The land trust’s preserved farms and community gardens provide local organic food for residents of the region—including those most in need. Through strategic land conservation and stewardship, D&R Greenway combats climate change, protects birds and wildlife, and ensures clean drinking water for future generations.

 

D&R Greenway’s mission is centered on connecting land with people from all walks of life.

 

 www.drgreenway.orginfo@drgreenway.org. Follow us on Facebook and Instagram.

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Breaking down ‘The Fall Of The House Of Usher’s’ Edgar Allen Poe references, from ‘The Raven’ to ‘The Black Cat’

SPOILER ALERT: This story contains spoilers for all eight episodes of “The Fall of the House of Usher,” now streaming on Netflix, and several works of Edgar Allan Poe that have been available to read for more than 150 years.

 

Mike Flanagan never met a haunted house he didn’t want to peel back the wallpaper on and see what horrors lurk beneath.

 

At Netflix, the writer/director has become a Halloween staple by exploring the hallowed halls of novelists Shirley Jackson “(The Haunting of Hill House)” and Henry James “(The Haunting of Bly Manor).” On the big screen, he even helmed a Stephen King-endorsed return trip to Overlook Hotel for “The Shining” sequel “Doctor Sleep.”

 

But for his final act at Netflix before his production company Intrepid Pictures begins an overall deal at Amazon, Flanagan gets lost in a different type of literary labyrinth –– the mind of Edgar Allan Poe. In “The Fall of the House of Usher,” Flanagan uses Poe’s 1839 short story to dismantle the dynasty of morally bankrupt Fortunato Pharmaceuticals CEO Roderick Usher (Bruce Greenwood), who built a legacy on his consumer’s dependence on his highly addictive opioid named Ligodone. But Flanagan doesn’t stop there: The series mines Poe’s archives for inspiration on how to gruesomely dispatch Roderick’s six children –– Frederick (Henry Thomas), Tamerlane (Samanatha Sloyvan), Victorine (T’Nia Miller), Leo (Rahul Kohli), Camille (Kate Siegel) and Perry (Sauriyan Sapkota). The line of succession is severed by fate in the form of a mysterious shapeshifting harbinger named Verna (Carla Gugino), with whom a young Roderick and his sister Madeline (Mary McDonnell) made a deal for boundless success in exchange for the lives of his eventual offspring.

 

Each episode is named for the Poe story that serves as its narrative spine, but none are to-the-letter adaptations. Instead, Flanagan filters this modern take on the toxicity of power and the persistence of karma through Poe’s creations, offering a sort of Sackler-esque family slaughterfest dressed up as a greatest hits homage to the master of the macabre.

 

Whether you know Poe or not, here’s how “The Fall of the House of Usher” faithfully adapts –– and sinisterly subverts –– his classics.

 

 

Variety