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Mobile Academy’s ‘Can We Talk’ series returns with second edition: Exploring Generational Diversity

TRENTON, N.J. — The Mobile Academy of the African American Chamber of Commerce of New Jersey (AACCNJ) announces the upcoming session of its Can We Talk series.

 

Following the success of the inaugural event in January 2023, which delved into the topic of antisemitism, the second installment will focus on the theme of generational diversity.

PHOTO: Keynote Speaker and Panel Moderator: Dr. Kinna Perry, Associate Dean, Rutgers Graduate School-Newark

 

Event Details:

Title: Can We Talk: What Do You Really Know About Generational Diversity?

Host: Mobile Academy of the African American Chamber of Commerce of New Jersey (AACCNJ)

Keynote Speaker and Panel Moderator: Dr. Kinna Perry, Associate Dean, Rutgers Graduate School-Newark

Panelists:

  • Mr. Gene Bouie, Executive Director, AACCNJ Training and Development Institute; current member and former President of the Trenton Public School District Board of Education (representing Baby Boomers)
  • Ms. Stacey Kavanagh, First Vice President, Market Manager, Provident Bank; member of AACCNJ Foundation Board of Directors (representing Generation X)
  • Mr. Kyle Holder, Vice President, Optimus Partners, LLC (representing Millennials)
  • Ms. Desiree Mitchell, student, New York University (representing Generation Z)

 

Date: Tuesday, Jan. 23, 2024

Time: 6:30 to 8:30 p.m.

Venue: Middlesex College, West Hall/Parkview Room, 2600 Woodbridge Ave., Edison, N.J. 08837

Cost: Free, but registration is required

 

The Can We Talk series fosters open and constructive conversations on crucial cultural topics. Accordingly, the upcoming event on generational diversity promises to be a thought-provoking exploration of the unique perspectives and experiences of different generations in today’s society. Dr. Kinna Perry, an esteemed scholar and Associate Dean at Rutgers Graduate School-Newark, will serve as the keynote speaker and panel moderator for the evening, guiding the audience through an engaging presentation and facilitating a dynamic panel discussion featuring distinguished representatives from the Baby Boomer generation to Generation Z.

 

“This event provides a rare opportunity for attendees to gain valuable insights into the challenges and opportunities faced by various generations in the workplace and beyond,” stated John E. Harmon, Sr., IOM, AACCNJ’s Founder, President and CEO. “The diverse panel will share personal experiences, discuss generational dynamics, and explore strategies for promoting understanding and collaboration across age groups.”

 

Can We Talk: What Do You Really Know About Generational Diversity? is scheduled for Tuesday, Jan. 23, 2024, 6:30 to 8:30 p.m., at Middlesex College, West Hall/Parkview Room. Admission is free, but registration is required. To register to attend or for additional information, click here or visit https://shorturl.at/aoGP8.

 

About the African American Chamber of Commerce of New Jersey

The African American Chamber of Commerce of New Jersey (AACCNJ) performs an essential role in the economic viability of New Jersey. While providing a platform for New Jersey’s African American business leaders, to speak with a collective voice, the AACCNJ advocates and promotes economic diversity fostering a climate of business growth through major initiatives centering on education and public policy. The Chamber serves as a pro-active advocacy group with a 501(c) 3 tax exemption, which is shared by the National Black Chamber of Commerce.

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Mastering the art of C-suite communication human-centric skills for successful business outcomes

By Dr. Te Wu and Gail Yosh

 

— Successful professionals know how to balance both hard and soft skills to deliver results for the organizations they support.

 

In recent years, the importance of soft skills has garnered much attention. If a manager can’t motivate, lead, and resolve conflicts, difficult tasks and projects become even more challenging to implement.

 

However, today’s ambitious professionals must expand their soft skills beyond the basics of creativity, collaboration, and conflict resolution, to name a few. They must cultivate the human-centric skillset needed to engage C-suite executives, bridging the gap between what needs to be communicated and how executives need to hear it.

 

There is a nuanced language one needs to speak when communicating with top-tier executives. Learning that language can elevate projects, foster stronger relationships, and drive implementation success. This article explores three human-centric communication skills for engaging C-level executives that drive successful business outcomes.

 

Repackaging your message – the importance of language and context

Have you ever had to translate a message into another language? First, you have to know what you want to communicate. Then you need to translate those words into the other language. Often this process is not a literal word-to-word exchange, but rather the transfer of the essence of the original message, so it resonates with the same intensity and clarity in the new language as it does in the original language. This requires you to consider your message goals and then repackage the message into the language your recipient will understand.

 

For today’s professionals, repackaging a message for the C-level audience means tailoring your words to fit the strategic and operational context in which the executives operate. You may be inclined to use technical terms and performance metrics. But our minds think in pictures. Words are merely the symbols we use to create the picture.

 

Instead of leaning too hard on your metrics, leaving your audience to create their own picture, offer a visual story. Use the words that create the most compelling picture for your executive audience. Consider a project manager who needs to communicate a complex portfolio dashboard to the governance board. The information that needs to be communicated entails project performance using Green, Yellow, and Red traffic light indicators.

 

Original Message: The portfolio dashboard shows the current status of 50 different projects in the portfolio. Overall, the portfolio is performing well, with 40 projects in Green, seven in Yellow, and three in Red. The message goes on to supply details of the projects in Red and Yellow.

 

Repackaged Message: The portfolio dashboard shows the current status of 50 projects in the portfolio. Overall, the portfolio is largely on track to meet the agreed portfolio goals, despite some pockets of concern. Based on the current portfolio performance, we should be able to achieve 100% of Strategic Goal 1, 95% of Goal 2, and 80% of Goal 3. We are seeking your help with three of the projects in Red, and with proper resolution, we should be able to fully achieve Goals 2 and 3.

 

By choosing less technical terms and relating project performance to business metrics, you will offer a more compelling story for your C-level executives, allowing them to visualize your message, understand the impact, and provide guidance more readily.

 

Optimizing your message

After repackaging your message, optimizing it for the audience’s unique communication style is crucial. Message optimization is akin to customer relationship management. Like CRM requires a customer-centric business culture, communicating with top executives requires an audience-centric approach. Optimizing a message involves knowing how your audience hears it, i.e. how they filter your words based on what motivates them. According to Dr. Elias Porter’s Relationship Awareness Theory, three primary motives guide how individuals interpret messages transmitted by others. Some individuals are guided by the drive to protect others and help them grow, while some are led by the desire to organize resources, such as time, people, and money, to achieve results. Others are driven to ensure organizational functions are carefully thought through and the right processes are followed to accomplish strategic goals. To achieve optimal communication, professionals should first be aware of the motives that guide their own choice of words. They can then adapt their message wherever necessary to suit their audience’s motives. Optimizing your messages is like using a translator to transform your words into those that deliver the greatest impact to your audience.

 

How do you determine the best words for your executive audience? This requires active listening and learning the hot button topics of the executive. Do you notice a pattern of words or a consistent communication style in your interactions with key executives? Executives motivated by the desire to optimize resources frequently use nouns such as achievements, results, and goals; and modifiers such as definitely and quickly. While you may feel comfortable using nouns such as processes, standards, schedules, technical jargon, and modifiers like accurate and efficient, your executive audience may not hear your message in a way that resonates. The details of your message don’t need to change, but the words and modifiers you use to package your message should adapt to the cognitive space where your audience thrives. For example, on a project in which budget is a concern, instead of, “We are managing the budget efficiently, achieving a CPI (cost performance index) of 1.1,” consider rephrasing it as, “We are managing the budget well, and we are currently under spending by about 10%.” In your interactions with key executives, notice how often they use certain nouns, verbs, and modifiers. How are they choosing to deliver their messages? Understanding their preferred language suggests words you might choose to optimize your messages each time you interact.

 

Enhancing your delivery

The final step in human-centric communication is enhancing your delivery to foster relationships and build credibility. As Steven Covey said, “Most people do not listen with the intent to understand; they listen with the intent to reply.” Active listening requires you to make a conscious effort to understand the information being relayed to you and learn from the person speaking. When we listen with a learner mindset, we’re not waiting to speak, but rather, we’re listening for information that tells us about the speaker’s outlook, concerns, and priorities. By actively listening, we gain audience-specific information we can use in future interactions to repackage and optimize our messages. Active listening techniques include clarifying to ensure you understood what you have heard and summarizing to restate the big issues involved. As you clarify and summarize, you are in a better position to respond with more precision. This feedback-and-adapt process builds rapport as both parties leave the encounter feeling heard and understood.

 

Mastering communication with C-suite executives is an art that requires a nuanced approach. These human-centric communication skills are not just tools. They are essential elements in building strong, effective relationships with top-tier executives. As you refine these skills, you can become a key facilitator of strategic communication and collaboration within the highest levels of your organization.

 

Dr. Te Wu is CEO and CPO of PMO Advisory, an associate professor at Montclair State University, and the co-chair of Project Management Institute’s (PMI) Development Team on the portfolio management standard. He also has these project management certifications: PMP, PgMP, PfMP, PMI-RMP.

 

Gail Yosh is a teaching professor of business communications at Montclair State University and the founder of Quanta Communications, a communications consulting company. Gail has an MBA in international business and will obtain her doctorate in Marketing from Pace University in 2024.

 

Allison Kugel
Full Scale Media
akugel@fullscalemedia.com

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Price hikes, shortages, delays of goods — an unbearable crisis for NJ residents

By Farrukh Imran, Zongheng Mo

& Sylvia Hove

 

— New Jersey is ranked the top 4th wealthiest state in the nation, yet New Jersey’s poverty levels and food insecurities surpass the Northeast averages.

 

According to America’s health rankings, New Jersey ranks 8th in the country for food insecurity, with 8.3% of households unable to provide adequate food for one or more household members due to lack of resources (America’s Health Rankings, 2023).

 

An estimated 2 million people are food insecure in N.J., with one in five children living in poverty, 8% of seniors (60+) live in poverty, and 9.8% are food insecure (Table to Table, n.d.).

 

Food insecurity has skyrocketed, especially in counties served by Table to Table, an organization that fights hunger while reducing food waste. Recent price hikes due to inflation have affected these communities immensely. (Table to Table, n.d.).

 

Companies are using discovery technology that employs AI and machine learning to map sub-tier supply chains for critical products.

 

According to Gartner, “Eighty-two percent of CEOs in supply-chain-intensive industries plan to increase investments in digital capabilities across their enterprise. Why? To support new business, improve supply chain process efficiency and productivity, enhance decision making and improve resiliency/agility amid ongoing supply chain disruption.” (Gartner, 2023)

      

 The government implemented an Inflation Reduction Act which provides tax credits and rebates to businesses and individuals. (U.S. Department of Treasury, 2023)  The Inflation Reduction Act caps prescription drug costs for hundreds of thousands of New Jersey Medicare beneficiaries, (Centers for Medicare & Medicaid Service, 2023).

 

The FY2024 budget includes 20 tax cuts for working and middle-class families and seniors, (State of New Jersey Office of the Governor, 2023). While each of these items are a good start,  they need to be extended and coupled with increased digital investments (New Jersey Chamber of Commerce, 2023) to meet the needs of our local businesses and ensure New Jersey benefits from the latest round of incentives from the CHIPS Act, (U.S. Department of Commerce, 2023).

 

As New Jersey emerges from the shadow of the pandemic, the ongoing supply chain crisis threatens to create another unbearable burden on residents, especially those from low-income backgrounds. Collaboration between companies and local governments offers hope for a more resilient and responsive supply chain system. It is imperative that New Jersey residents remain engaged and advocate for comprehensive solutions to this crisis, as they continue to grapple with its consequences in the aftermath of the pandemic.

 

Rutgers University students

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Nicole D. Baptiste, IOM named Forty Under 40 Honoree 2023

Alexandria, VA.  — Nicole Baptiste, IOM has been named to the Association of Chamber of Commerce Execs. (ACCE) 2023 Forty Under 40 list of emerging leaders shaping the chamber of commerce industry.

 

This annual recognition program showcases 40 of the industry’s top emerging leaders who have demonstrated success in their careers and made significant contributions to the communities they serve. The list includes CEOs and staff professionals from a wide variety of roles and chamber sizes. Honored for their creativity, dedication and commitment to identifying innovative solutions that will help shape the future of the chamber profession.

 

“I am inspired by these talented professionals who are making a difference in their organizations and the communities they serve,” said ACCE President & CEO Sheree Anne Kelly.

 

“Their passion and dedication not only foster positive change in their regions but also shape a promising future for those they impact.”

 

ACCE has over 1,600 chambers of commerce and related business and economic development organizations as members, representing more than 9,000 professionals in the industry.

 

Eligible chamber professionals must be nominated by their chamber’s president/CEO, direct supervisor or board chair. Candidates must demonstrate meaningful involvement in the advancement of their community and proven professional success within their chamber.

 

Nicole Baptiste joined the African American Chamber of Commerce of New Jersey (AACCNJ) as an Administrative Executive Assistant in 2018. Prior to her employment, she volunteered at the chamber as Adjunct Staff beginning in 2011. She entered into her previous role as Membership Relations and Special Programs Manager in January 2019. Nicole’s areas of responsibility include but are not limited to: special program management, monthly accounts payables and receivables reporting, management of member tracking systems, weekly meetings with members, membership communications and outreach, website management, event website management, webinar platform management/guest coordination and preparation, scheduling of radio show guests for weekly radio show.

 

As Vice President of Membership Acquisition & Financial Administration, Nicole continues to execute the aforementioned responsibilities along with an increased involvement in activities that afford a greater impact towards the growth and sustainability of the AACCNJ.

 

Nicole Baptiste received her IOM designation after completing a four-year Chamber Executive Management Program, at The University of Arizona Tucson, in January 2023. Institute for Organization Management is a professional development program of the U.S. Chamber of Commerce. Graduates receive over 96 hours of course instruction in nonprofit management.

 

“Thank you to the ACCE for recognizing me as an emerging leader in our industry! This achievement is a testament to my hard work and dedication to the AACCNJ. Being acknowledged in this way inspires me to continue working towards achieving my goals and making a positive impact in our community,” says Nicole Baptiste.

 

The full 2023 Forty Under 40 list was announced publicly in the Fall 2023 edition of Chamber Executive, ACCE’s digital magazine. View all the honorees online at https://magazine.acce.org/

 

About the Association of Chamber of Commerce Executives (ACCE)

ACCE is the professional society supporting the people who lead local, regional, statewide and international chambers of commerce and related business and economic development organizations. Our membership includes more than 1,600 business/civic organizations worldwide. We provide our members with information resources, thought leadership, education programs, original research, benchmarking, retirement security, and access to a network of peers. Learn more about us by visiting www.ACCE.org

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CBS, entertainers reveal Golden Globe 2024 nominations

The 2024 awards season is starting up, and the Golden Globes nominations are ready to be unveiled.

 

The film and TV nominees announced on Monday, Dec. 11, by Wilmer Valderrama and Cedric the Entertainer, initially are revealed on CBSNews.com/GoldenGlobes.

 

Ten categories will be announced exclusively on air on “CBS Mornings” half an hour later. The Golden Globes’ social media accounts will simultaneously announce the nominees as well.

 

In addition to airing live on CBS, the 2024 Golden Globes will be available to stream on Paramount+. They will take place on Jan. 7, airing at 8 p.m ET/5 p.m. PT on CBS after an NFL doubleheader. It will mark the first time in over 40 years that CBS has aired the ceremony. This is the second year the Golden Globes will return to television following a private ceremony held in 2022.

 

There will be two new awards featured at January’s event: Cinematic and Box Office Achievement in Motion Pictures and Best Performance in Stand-Up Comedy on Television.

 

The awards celebrate achievements in both television and film, with some of this year’s buzzy titles including “Oppenheimer,” “Killers of the Flower Moon,” “Barbie,” “Poor Things,” “Succession,” “The Last of Us,” “The Bear” and “Ted Lasso.” Notably, the Golden Globes differentiate between dramas and musical/comedy films.

 

Penske Media Corporation’s Dick Clark Productions plans, produces and hosts the Golden Globes. Glenn Weiss and Ricky Kirshner are this year’s showrunners for the ceremony, with Weiss also serving as director.

 

 

Variety

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Lupita Nyong’o named Berlin Film Festival jury president

Lupita Nyong’o, the Oscar-winning Kenyan-Mexican actor and filmmaker, will preside over the international jury of the upcoming Berlin Film Festival.

 

She will be the second consecutive female jury president at the Berlinale, following fellow actor Kristen Stewart.

 

“Lupita Nyong’o embodies what we like in cinema: versatility in embracing different projects, addressing different audiences, and consistency to one idea that is quite recognisable in her characters, as diverse as they may look,” said Berlinale directors Mariëtte Rissenbeek and Carlo Chatrian.

 

Lupita Nyong’o, who broke through in “12 Years a Slave,” said she was “deeply honored to serve as the President of the International Jury of the Berlin International Film Festival.”

 

“I look forward to celebrating and recognising the outstanding work of filmmakers from around the world,” Nyong’o continued.

 

On top of winning a best supporting Oscar for her performance in “12 Years a Slave,” she has received the Screen Actors Guild Award, the Critics’ Choice Award, the Independent Spirit Award and the NAACP Image Award. She went on to garner further acclaim with her role as the warrior Nakia in “Black Panther” and its sequel “Black Panther: Wakanda Forever.” Her other credits include “Us,” “Little Monsters,” “Queen of Katwe,” “Star Wars: The Force Awakens” and “The 355.” Her upcoming projects include the horror franchise spin-off series “A Quiet Place: Day One.”

 

Nyong’o is also involved behind the camera. She recently executive produced the Sudanese film “Goodbye Julia,” directed by Mohamed Kordofani. The movie was selected by the Sudanese National Committee operating in exile to compete in the international feature film race at the Oscars.

 

An outspoken activist, Nyong’o is currently preparing a podcast focussing on non-fictional storytelling from the African diaspora. One of her projects is a series based on Chimamanda Ngozi Adichie’s “Americanah.” Nyong is also an author, having penned the New York Times bestselling children’s book “Sulwe” in 2020.

 

This 74th Berlin Film Festival will mark the last under the current leadership. Both Rissenbeek and Chatrian will step down after this edition as their respective mandate ends. The festival’s future director will be announced tomorrow during a press conference in Berlin.

 

 

Variety

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‘Inside The Yellow Cocoon Shell’ wins Asian Feature Film Competition at SGIFF

Pham Thien An’s “Inside The Yellow Cocoon Shell,” which previously won the Golden Camera at Cannes, has won the Asian Feature Film Competition at the 34th Singapore International Film Festival.

 

Yoon Eun-Kyung won best director for “The Tenants,” which also won the FIPRESCI award. “Dreaming & Dying,” by Singaporean director Nelson Yeo earned a special mention. Yu Yi-Hsun won best screenplay for “A Journey in Spring” and the film also won best performance for Yang Kuei-Mei.

 

The Audience Choice Award went to “Goodbye Julia” by Mohamed Kordofani.

 

In the Southeast Asian Short Film Competition, the best Southeast Asian short film was awarded to “The River That Never Ends” by J.T. Trinidad, which also scored a special mention for actor Emerald Romero. “I Look Into the Mirror and Repeat to Myself” by Giselle Lin won best Singapore short film. Best director went to Sam Manacsa for “Cross My Heart and Hope to Die” and best performance went to Fredy Sreudeman Wowor from “Other Tomorrows Never Known.” Lin Htet Aung won best screenplay for “Once Upon a Time There Was a Mom.”

 

At the Southeast Asian Film Lab, “Terbakar” by Shelby Kho was recognized as the most promising project. “Making a Sea” by Lin Htet Aung won the fellowship prize. Special mentions were given to Caloy Limjap Soliongco for “Day Tripper” and Seth Cheong for “Blue Buildings.”

 

This year, the Tan Ean Kiam Foundation–SGIFF Southeast Asian Documentary grant extends its support to three production projects, each recipient receiving S$30,000 ($22,350) in cash, alongside one post-production project receiving S$20,000 ($14,900). The SGIFF Southeast Asian Short Film grant backs three shorts. Each recipient is awarded S$5,000 ($3,725) in cash by Winn Slavin and receives additional post-production support valued at S$5,000 from White Light Post.

 

The festival concluded its 11-day run with the highest ticket sales, more than 12,500, since 2014, with an increase of 64% from 2022.

 

 

 

Variety

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Denzel Washington to cast as ancient Gen. Hannibal in Antoine Fuqua Netflix film, sparks controversy in Tunisia

Denzel Washington being cast in Antoine Fuqua’s upcoming Netflix movie as ancient Carthaginian General Hannibal, is sparking some controversy in Tunisia, the home country of the great military commander.

 

According to French newspaper Courrier International, there are complaints about depicting the Carthaginian general as a Black African being made in the media and the Tunisian parliament.

 

Member of Parliament Yassine Mami has pointed out that Hannibal, who was born in 247 BC in Carthage – now known as Tunis, the Tunisian capital – was of West Asian Semitic origin.

 

“There is a risk of falsifying history: We need to take position on this subject,” the Tunisian politician reportedly stated.

 

Concurrently, French-language Tunisian newspaper La Presse has published an editorial in which it similarly objects that depicting Hannibal as a Black African is “according to Tunisians and many observers, a historical error.”

 

However, Tunisian culture Minister Hayet Ketat-Guermazi had a different, more pragmatic take on the matter.

 

“It’s fiction. It is their [Netflix‘s] right to do what they want,” she responded, according to French newspaper Le Monde. “Hannibal is a historical figure and we are all proud that he was Tunisian. But what can we do?”

 

She went on to note that she is trying to negotiate with Netflix to shoot at least a portion of the film in Tunisia.

 

“I hope they decide to shoot at least a sequence of the film here and that that this is publicized. We want Tunisia to go back to being a location where foreign films are shot,” Ketat-Guermazi said, as reported by Le Monde.

 

Representatives for Netflix, Washington and Fuqua did not immediately reply to a request for comment.

 

The controversy in Tunisia over Washington playing Hannibal is reminiscent of the uproar sparked in Egypt in April over Britain’s Adele James, who is of mixed heritage, playing Cleopatra in Netflix’s docudrama “Queen Cleopatra.” The first-century Egyptian queen was born in the Egyptian city of Alexandria in 69 BC and belonged to a Greek-speaking dynasty. Egyptian academics went on a rampage over the fact that Cleopatra was of European descent and not Black.

 

The still-untitled film about the Carthaginian general will be written by John Logan, the three-time Academy Award winner who scribed Martin Scorsese’s “The Aviator” and Ridley Scott’s “Gladiator.”

 

According to the official logline, the movie is “based on real-life warrior Hannibal, who is widely regarded as one of the greatest military commanders in history. The film covers the pivotal battles he led against the Roman Republic during the Second Punic War.”

 

Hannibal invaded Italy while riding a Northern African war elephant. Under his lead, the Carthaginians won key victories against the Romans, allowing Hannibal to occupy the majority of southern Italy for 15 years. Eventually, Hannibal was defeated by the Romans at the Battle of Zama after they counter-invaded North Africa.

 

Fuqua most recently directed Washington in the action-thriller “The Equalizer 3,” in which Washington reprised his role as ex-Marine Robert McCall.

 

Washington is currently involved in another war epic, the upcoming sequel to Ridley Scott’s “Gladiator,” which has resumed shooting in Malta after production was halted due to the SAG-AFTRA strike.

 

 

Variety

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German film industry anxiously awaits new director for Berlinale, as rumors swirl

The German film industry is eagerly awaiting the appointment of the Berlin Film Festival’s new director, expected to be announced Tuesday.

 

So, as the guessing game surrounding the choice shifts into high gear, one thing looks increasingly clear: The new head will face considerable financial and political challenges at the Berlinale.

 

Speculation in the local industry has been rife with likely candidates to succeed Carlo Chatrian and Mariëtte Rissenbeek, who have co-led the Berlinale as artistic and executive directors since 2020 and will step down after this year’s edition when their respective mandates end.

 

A number of potential contenders have now quashed those rumors, among them Matthijs Wouter Knol, CEO and director of the European Film Academy, who made it clear to Variety that he was not in the running and was very content in his current post; Kirsten Niehuus, head of funding org Medienboard Berlin-Brandenburg, who said she was not a candidate; and Unifrance chief Daniela Elstner, who denied the speculation as false.

 

Also seen as a possible pick was Munich Film Festival director Christoph Gröner, who likewise appears happy to remain where he is.

 

“We are of course flattered by this appraisal, but I am at the helm of the Munich Film Festival along with [artistic co-director] Julia Weigl,” Gröner told Variety. “In view of the recent developments at the Berlinale, with a reduction in sections for German programming, we define ourselves as No. 1 for German filmmaking — and therefore also want to increasingly appeal to the international industry in the middle of summer. We can only wish the Berlinale all the best.”

 

While a completely unexpected selection is certainly possible, other names regularly discussed by industry insiders include Christoph Terhechte, artistic director of the International Leipzig Festival for Documentary and Animated Film (who declined to comment on the rumors); Christian Jungen, artistic director of the Zurich Film Festival; Berlinale programmer Paz Lázaro; and Maria Köpf, who recently stepped down as co-managing director of the German Film Academy. The latter three could not be reached for comment.

 

The Berlinale has been talented at keeping cards close to its chest. Rissenbeek wasn’t actually a candidate when she was appointed to co-helm the festival. She had actually been tapped by the then culture commissioner to find candidates for the post and walked out with the job.

 

Claudia Roth, Germany’s federal government commissioner for culture and media, triggered a furious international backlash in September with her decision to forego the festival’s dual-leadership structure and instead return to a single director to manage both the artistic and administrative aspects of the event – a move that made it impossible for Chatrian to continue in his role after Rissenbeek decided to step down following the 2024 edition. More than 400 filmmakers and talents, among them Martin Scorsese, Paul Schrader, Béla Tarr, Olivier Assayas, Kirsten Stewart and Margarethe von Trotta, signed a letter condemning the culture commissioner for the move.

 

Roth then set up a six-member committee tasked with the responsibility of finding a sole director to succeed Chatrian and Rissenbeek that included Oscar-winning director Edward Berger “(All Quiet on the Western Front);” producer Roman Paul “(Paradise Now);” Anne Leppin, the German Film Academy’s now sole managing director; actress and producer Sara Fazilat; State Secretary Florian Graf, head of the Berlin Senate Chancellery; and Roth herself.

 

Local observers also took Roth to task for not including people with more film festival expertise in her search committee.

 

Writing in Berlin daily Tagesspiegel, Andreas Busche expressed concern that there was “not a single person on the search committee” with a minimum of experience in international festival operations or at least curatorial expertise.

 

The Frankfurter Allgemeine Zeitung’s Andreas Kilb likewise addressed the difficulties of finding an ideal new director: “Those multi-talents who combine aesthetic flair with an instinct for film politics, stage presence with skill in dealing with sponsors and who also have a sense of finance are as rare as winning the lottery.”

 

Whoever takes the reins, the new leadership will have to deal with a precarious financial situation that could be exacerbated by the government’s current budget crisis. A ruling by Germany’s constitutional court last month blocked Chancellor Olaf Scholz’s government from tapping €60 billion ($64.4 billion) in unused pandemic emergency funds for ambitious climate protection measures and other expenditures, blowing a major hole in the federal budget.

 

The festival already drastically reduced its lineup earlier this year due to rising costs. Its budget last year amounted to some €32.3 million — that included €12.9 million in institutional funding from the federal government, which is expected to reduce that figure to €10.7 million next year. As a result, the state of Berlin has agreed to increase its contribution to the Berlinale from €20,000 to €2 million a year, local newspaper BZ reported. Financing for the Berlinale has been traditionally split three ways between federal funds, ticket sales and sponsorship, which has also reportedly seen significant cuts.

 

Media watchers like Busche have warned against growing political encroachment over the festival resulting from its funding needs following comments made by Christian Goiny, a representative of Berlin’s conservative CDU ruling party, who said increased financial support should be “accompanied conceptually and in terms of content.”

 

While the Berlinale has long been seen as a very political festival, there is concern that its artistic integrity could be further compromised if government overseers push for only the right kind of politics and further constrain the new director.

 

Pointing to Roth’s statement earlier this year that the Berlinale needed a good structure in order to “live up to its claim of being the largest public festival and a political film festival,” Busche stressed that the latter could “not be achieved by decree” but rather by its programming.

 

 

 

Variety

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Mono Next in Thailand inks deal with Studio Genie of Korea: ATF

Thailand’s broadcast and streaming group Mono Next and Korea’s Studio Genie have struck a deal to collaborate on content creation and distribution.

 

Production of a Thai remake of a Korean series is on the cards, but has not been finalized. The memorandum was announced on stage at the Asia Television Forum in Singapore on Wednesday, with streaming unit Mono Streaming signing on behalf of the Thai group.

 

The on-stage announcement said that a Korean-to-Thai production is a likely product of the deal, but Mono subsequently told Variety that the show has not been identified and that plans are at an early stage.

 

Mono Next includes: free-TV channel Mono 29: Monomax ,an SVOD video streaming platform; and a partnership with 3BB, a Thai broadband provider.

 

In partnership with 3BB, a leading IPTV player, Mono Streaming Company Limited expands across IPTV, free-to-air, and cable channels, emphasizing dedication to diverse content accessibility.

 

“The collaboration between Mono Streaming and KT Studio Genie holds immense potential for creating groundbreaking content that transcends borders,” said Patompong Sirachairat, CEO at Mono Next. “We look forward to exploring new horizons in the entertainment industry together.”

 

“This memorandum of understanding signifies the beginning of a promising partnership between KT Studio Genie and Mono Streaming,” said Kim, Chul Yeon, at KT Studio Genie.

 

Studio Genie is part of the KT Group, formerly known as Korea Telecom, and is an assembly of KT’s media and content businesses. These include StoryWiz (planning, producing and distributing content including webtoons and web novels); Milly’s library (an online reading platform); and music streamer Genie Music. Some 18 months ago, CJ ENM announced that it was buying a stake in the business.

 

 

Variety